Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
Anchor, perhaps, his fingers moving mechanically across the controls, was less far from reality than Titus or Juno, by reason of his watchfulness, but even he was hardly normal, and there was upon his face a shadow that Juno had not seen before.
From time to time, as they sped through the upper atmosphere, and while the world unveiled itself, valley by valley, range by range, ocean by ocean, city by city, it seemed that the earth wandered through his skull … a cosmos in the bone; a universe lit by a hundred lights and thronged by shapes and shadows; alive with endless threads of circumstance … action and event. All futility: disordered; with no end and no beginning.
* * *
ONE HUNDRED AND NINETEEN
Juno was motionless. Her profile was like that of an antique coin. A fullness under the chin; her nose straight and short; her face floated it seemed, un attached against the sky. A planet lit a cheekbone and revealed a tear. It hung there. It could not roll. The sweet down of her cheekbone held it where it was.
As Titus turned and saw her, he recoiled from her pathos. He could not bear it. He saw in her a criticism of his own defection. He suddenly hated himself for such a thought and he half rose from his seat in an agony of confusion. He loathed his own existence. He hated the unnatural from whose platter he had supped too often. The face of Muzzlehatch grew large in his mind. It filled him. It spread deeper. It filled the coloured plane. It filled the heavens. Then came a voice to join it. Was it Muzzlehatch with his eyes half closed upon his rocky cheekbone?
Titus shook his head to free his brain. Anchor glanced at the young man and tossed a hank of red hair from his eyes. Then he stared again at Titus.
‘Where are we going?’ he said at last. But there was no reply.
ONE HUNDRED AND TWENTY
The darkness fell and the little craft sped on like an insect in the void. Time seemed to be a meaningless thing; but dawn came at last, its breast a wilderness of feathers.
The red-headed pilot seemed to be slumped over the controls but every now and again he shook himself and adjusted some device. All about him were the intricate entrails of the yellow machine; a creature terrible in its speed; lethal in its line; multitudinous in its secrets; an equation of metal.
Juno was fast asleep with her head on Titus’ shoulders. He sat in stony silence while the slim plane whistled through the air.
Suddenly he sat forward in his seat, and clenched his hands. A dark flush covered his brow. It was as though he had only just heard Anchor’s question.
‘Did someone ask where we were going? Or am I dreaming? Perhaps it is all a figment of my brain.’
‘What is the matter, Titus?’ said Juno, lifting her head.