Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
Then, quite gradually Muzzlehatch yawned, stretching his arms to their extremities, as though to touch the sky. He took a pace forward, and then, at last, he spoke, yet not with his voice but more eloquently, with a great scarred index-finger like a crook.
ONE HUNDRED AND NINE
Cheeta’s father, realizing that he had no choice but to obey (for there was something terrible and compelling about Muzzlehatch, with the crumbs of fire in his eyes) began to make his way willy-nilly in the direction of the great vagrant. And still there was no noise in all the world.
Then, suddenly, like something released, Titus beat his fists together, as a man might beat upon a door to let out his soul. Not a head turned at the sound, and the silence surged back and filled the shell of the Black House. But although there was no physical movement save for the progress of the bald man, there passed over the ground a shudder and a chill, where there was no breeze blowing, like the breath of a cold fresco, dank and rotting, filled with figures, so was this nocturnal array equally silent; when all at once, the ring of heads closed in upon the protagonists, and at the same time the two protagonists closed in on one another.
Muzzlehatch had dropped his index finger, and was approaching the scientist at a speed deliberately slow. Two worlds were approaching one another.
What of Cheeta? Where in this forest of legs could she be with her beautiful little face contorted and discoloured? Everything had gone wrong. What had been an ordered plan was nothing now but a humiliating chaos. She had been almost forgotten. She had become lost in a world of limbs. She had, more by instinct than knowledge, been making her way to where she last saw Titus, for to lose him would be for her like losing her revenge.
But she was not the only malcontent. In his own way, Titus was as fierce as she. The grisly charade had left him full of hatred. Not only this; there was Muzzlehatch too. His old friend. Why was he so silent and so deaf to his cries?
In an access of frustration he elbowed his way to the outskirts of the ring, and then, free at last, he ran at Muzzlehatch as though to endanger him.
But when Titus was close enough to strike out in his anger at the great figure, he stopped short in his tracks, for he saw what it was that had subjugated the bald man. It was the embers in the eyes of his friend.
This was not the Muzzlehatch he used to know. This was something quite different. A solitary who had no friends, nor needed any: for he was obsessed.