Back Gormenghast
Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

‘Yes. There’s nothing to wait for, is there?’

‘Only the Breakfast. It won’t be just yet.’

‘Why not?’

‘Because I heard the bell go in the corridor.’

‘So did I. That means there’s a lot of time.’

‘I want to look at my profile, Cora. Turn it now.’

‘All right. How long shall I be, Clarice?’

‘Be a long time.’

‘Only if I have a long time, too.’

‘We can’t both have a long time, silly.’

‘Why not?’

‘Because there isn’t one.’

‘Isn’t one what, dear?’

‘Isn’t one long time, is there?’

‘No, there’s lots of them.’

‘Yes, lots and lots of beautiful long times.’

‘Ahead of us, you mean, Clarice?’

‘Yes, ahead of us.’

‘After we’re on our thrones, isn’t it?’

‘How do you know?’

‘Well, that’s what you were thinking. Why do you try to deceive me?’

‘I wasn’t. I only wanted to know.’

‘Well, now you do know.’

‘Do know what?’

‘You do know, that’s all. I’m not going any deeper for you.’

‘Why not?’

‘Because you can’t go as deep as I can. You never could.’

‘I’ve never tried, I don’t suppose. It’s not worth it, I shouldn’t think. I know when things are worth it.’

‘Well, when are they, then?’

‘When are they what?’

‘When are they worth something?’

‘When you’ve bought something wonderful with your wealth, then it’s always worth it.’

‘Unless you don’t want it, Clarice, you always forget that. Why can’t you be less forgetful?’

There is a long silence while they study each other’s faces.

‘They’ll look at us, you know,’ says Cora flatly. ‘We’re going to be looked at at the Breakfast.’

‘Because we’re of the original blood,’ says Clarice. ‘That’s why.’

‘And that’s why we’re important, too.’

‘Two what?’

‘To everyone, of course.’

‘Well, we’re not yet, not to everyone.’

‘But we will be soon.’

‘When the clever boy makes us. He can do anything.’

‘Anything. Anything at all. He told me so.’

‘Me, too. Don’t think he only tells you, because he doesn’t.’

‘I didn’t say he did, did I?’

‘You were going to.’

‘Two what?’

‘To exalt yourself.’

‘Oh, yes, yes. We will be exalted when the time is ripe.’

‘Ripe and rich.’

‘Yes, of course.’

‘Of course.’

There is another silence. Their voices have been so flat and expressionless that when they cease talking the silence seems no new thing in the room, but rather a continuation of flatness in another colour.

‘Turn your head now, Cora. When I’m looked at at the Breakfast I want to know how they see me from the side and what exactly they are looking at; so turn your head for me and I will for you afterwards.’

Cora twists her white neck to the left.

‘More,’ says Clarice.

‘More what?’

‘I can still see your other eye.’

Cora twists her head a fraction more, dislodging some of the powder from her neck.

‘That’s right, Cora. Stay like that. Just like that. Oh, Cora!’ (the voice is still as flat), ‘I am perfect.’