Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
‘They were all full, your Lordship – all except one, sir.’
‘Have the cats had them?’
‘The … the cats, your –’
‘I said, have the cats had them?’ repeats Lord Sepulchrave sadly.
‘Not yet,’ says the Chef. ‘Not yet.’
‘Then bring me one … bring me a plump one … immediately. What are you waiting for, Mr Chef? … What are you waiting for?’
Swelter’s lips move wetly. ‘A plump one,’ he says. ‘Yes, my Lord … a … plump … one.’
As soon as he has disappeared the voice goes on: ‘Some twigs, Mr Flay, some twigs at once. Twigs of all sizes, do you understand? From small branches downwards in size – every kind of shape, Flay, every kind of shape, for I shall study each in turn and understand the twigs I build with, for I must be as clever as the others with my twigs, though we are careless workmen. What are you waiting for, Mr Flay? …’
Flay looks up. He has been unable to keep his eyes on the transformed aspect of his master, but now he lifts them again. He can recognize no expression. The mouth might as well not be there. The fine aquiline nose appears to be more forceful and the saucer-like shape of the eyes hold within either sky a vacant moon.
With a sudden awkward movement Flay plucks Fuchsia from the floor and flings her high over his shoulder and, turning, he staggers to the door and is soon among the passages.
‘I must go back, I must go back to him!’ Fuschia gasps.
Flay only makes a noise in his throat and strides on.
At first Fuschia begins to struggle, but she has no strength left for the dreadful scene has unnerved her and she subsides over his shoulder, not knowing where she is being taken. Nor does Flay know where he is taking her. They have reached the east quadrangle and have come out into the early morning when Fuchsia lifts her head.
‘Flay,’ she says, ‘we must find Doctor Prune at once. I can walk, please, now. Thank you. Flay, but be quick. Be quick, put me down.’
Flay eases her off his shoulder and she drops to the ground. Fuchsia has seen the Doctor’s house in the corner of the quadrangle and she cannot understand why she had not thought of him before. Fuchsia begins to run, and directly she is at the Doctor’s front door she beats it violently with the knocker. The sun is beginning to rise above the marshes and picks out a long gutter and a cornice of the Doctor’s house, and presently, after Fuchsia has slammed at the door again, it picks out the extraordinary headpiece of Prunesquallor himself as it emerges sleepily through a high window. He cannot see what is below him in the shadows, but calls out: