Back Expectation: a Novel Save as PDF
Chapters (66)
  1. Cover
  2. Dedication
  3. Epigraph
  4. London Fields
  5. 2010
  6. Hannah
  7. Cate
  8. Lissa
  9. Cate
  10. Abjections
  11. Hannah
  12. Lissa
  13. Soulmates
  14. Cate
  15. Lissa
  16. Hannah
  17. Resistance
  18. Cate
  19. Lissa
  20. Hannah
  21. True North
  22. Cate
  23. Lissa
  24. Hannah
  25. London
  26. Lissa
  27. Cate
  28. Lissa
  29. Hannah
  30. Bras
  31. Cate
  32. Hannah
  33. Cate
  34. Hannah
  35. Cate
  36. Hannah
  37. Lissa
  38. Hannah
  39. Lissa
  40. Hens
  41. Cate
  42. Hannah
  43. Lissa
  44. Hannah
  45. Cate
  46. Lissa
  47. Hannah
  48. Epithalamium
  49. Lissa
  50. Hannah
  51. Cate
  52. Lissa
  53. Hannah
  54. Lissa
  55. Hannah
  56. Cate
  57. Lissa
  58. Hannah
  59. Lissa
  60. 2012
  61. Hannah
  62. London Fields
  63. Acknowledgments
  64. About the Author
  65. Also by Anna Hope
  66. About the Publisher

She wonders if there is a word for a woman like her, perhaps a Greek word—a special sort of word for a special sort of woman, one who betrays her friend.

Oh, Hannah. Oh, Jesus.

She buys herself a croissant and takes it home and eats it alone, standing at the sink.

Ticket sales increase in response to the reviews; they are 80 percent full on the weekdays and then sold out on Friday and Saturday evenings. Their group warm-ups take on a celebratory air. When they have all completed their vocal exercises, their stretches, their articulation exercises, and their pacing out of the stage, they gather in a circle and throw a ball to each other to tune up their reflexes. Ten minutes before the start they sing their Russian folk song. Occasionally the younger men try out Cossack moves, before they high-five each other and whoop as they disperse to their dressing rooms to listen for the call for Beginners on the loudspeaker.

Only Johnny does not warm up. Instead he sits on the stage on the lounge chair that Vanya favors, wearing his crumpled linen costume, hat pushed down on his head, and does the crossword, looking up occasionally at the antics of the other actors with one eyebrow raised. When they sing he gets to his feet and wanders out for a cigarette.

Lissa is grateful to have something to do, somewhere to go in the evenings; grateful to have the ritual of performance to hold her, to know where to stand, how to speak, where to put her hands.

She gets a text from Hannah. Bought tickets! Me and Nath coming next Thurs night.

Great! she writes back, as her stomach swills with queasy fear.

The end of the first week, her mother comes with Laurie. After the performance they are waiting for her in the bar. Sarah holds Lissa’s face in her hands. “Wonderful, darling, wonderful—well done. No review in the Guardian though?”

If a play goes on stage and the Guardian doesn’t review it, does the play really exist?

“Nothing in the Guardian, Ma, no.”

Laurie steps up and hugs her close. “Best you’ve been, Liss, best you’ve been.”

On the Monday of the second week, her father comes with his wife in tow.

“Well done, sweetie. You looked beautiful,” he says. “Reminded me of your mother when she was young.”

Beside him her stepmother nods away like a nervous bird, gripping her handbag beneath her arm. “I enjoyed it,” she says. “Not a lot happens though, does it?”

No, Lissa agrees, not a lot happens. When she suggests a drink, her father looks willing, but she sees her stepmother touch his arm and he turns to Lissa with a small helpless shrug.