Back Early Departures
Chapters (122)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Facts
  5. 101
  6. 100
  7. 23 Months After the Funeral
  8. 99
  9. 98
  10. 97
  11. 96
  12. 95
  13. 94
  14. 93
  15. 92
  16. 91
  17. 90
  18. 89
  19. 88
  20. 87
  21. 86
  22. 85
  23. 84
  24. 83
  25. 82
  26. 81
  27. 80
  28. 79
  29. 78
  30. 77
  31. 76
  32. 75
  33. 74
  34. 73
  35. 72
  36. 71
  37. 70
  38. 69
  39. 68
  40. 67
  41. 66
  42. 65
  43. 64
  44. 63
  45. 62
  46. 61
  47. 60
  48. 59
  49. 58
  50. Postreanimation Day 1
  51. 57
  52. 56
  53. 55
  54. 54
  55. 53
  56. 52
  57. 51
  58. 50
  59. 49
  60. 48
  61. 47
  62. Day 2
  63. 46
  64. 45
  65. 44
  66. 43
  67. 42
  68. 41
  69. 40
  70. 39
  71. 38
  72. 37
  73. 36
  74. Day 3
  75. 35
  76. 34
  77. 33
  78. 32
  79. 31
  80. 30
  81. Day 4
  82. 29
  83. 28
  84. 27
  85. 26
  86. Quincy
  87. 25
  88. Jamal
  89. 24
  90. 23
  91. 22
  92. 21
  93. 20
  94. Day 4
  95. 19
  96. 18
  97. 17
  98. Day 5
  99. 16
  100. 15
  101. 14
  102. 13
  103. 12
  104. 11
  105. 10
  106. Day 6
  107. 9
  108. 8
  109. 7
  110. 6
  111. 5
  112. 4
  113. 14 Days Postreanimation
  114. 3
  115. 2
  116. 1
  117. 0
  118. Acknowledgments
  119. About the Author
  120. Books by Justin A. Reynolds
  121. Back Ad
  122. About the Publisher

Her first texts are frantic, worried.

But then her tone completely one-eighties.

True to Mr. O’s word, she knows what’s happened, she can’t imagine, can’t believe any of it. Says how bad she feels because she was relieved that I was okay when Q wasn’t.

Whit: I’m waiting up.

Whit: You don’t have to talk. Not tonight. But I’ll be here, waiting for you.

67

Six Weeks After the Funeral

For six weeks there were flowers.

A mound of daisies and tiger lilies, a heap of sunflowers and dandelions, a bouquet of roses with thorns intact, in assorted states of decay.

Decay, a slow march to oblivion.

A month after we buried Mom and Dad, the city added rows of bright flashing lights at the bend, affixed a large sign: HIGH ACCIDENT AREA.

Which seems odd, right?

Shouldn’t they add USE CAUTION?

Or SLOW DOWN?

At least a generic DRIVE SAFE?

Instead, they’re politely tapping your shoulder, hey, so um, I see you’re busy driving recklessly and endangering the lives of others, but listen, just so you know, and please do with this what you will, but uh, there are *whispers* a decent amount of accidents right here, so.

DRIVER: Oh. Wow. Thanks for letting me know. Should I slow down? Use caution?

That’s entirely up to you. We’re empowering you to use your own sound judgment.

The city also made a plaque, a vertical oak rectangle with a high-gloss bronze plate, like the ones in our school display case that read: Charles County Division II Softball Champs. Except this one was stop-sign-sized and drilled into the tree closest to the road.

In fancy lettering:

JADA & ANDRE ANDERSON.

NEVER FORGET.

Never forget what? I asked Whit. That they’re gone? That Dad’s body was flung somewhere in those bushes? Not to mention, it’s ridiculously weird. Like, who immortalizes a tragedy with a tree plaque?

You’re overthinking it. It’s a nice thing, Whit said.

Which is what people resort to when there’s nothing real to be done, nothing useful—something nice.

Two nights after the city workers put it up, I snuck over and crowbarred it off.

It left gashes in the tree. Plus holes where they’d sunk the screws. I was still working on the fourth screw when the plaque splintered. I tossed the screws into the woods and nearly sent the plaque in after them.

I’m not sure what stopped me.

But there was no way I was keeping it.

At home, I tossed it in our trash bin.

And later, when someone from the city stopped by to apologize for the vandalism and to assure us a replacement plaque would be mounted, I told them thanks, but no thanks.

You sure, he’d said, his eyes looking behind me, waiting for confirmation from a grown-up. But Whit wasn’t home.

We’re sure, I told him.