Chapters (83)
- Cover
- Maps
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Epilogue
- About the Author
She exits the bedroom and walks back along the landing to the large window. On a whim, she grabs the telescope, angles it down a little, and presses her eye against the eyepiece, but she sees nothing but darkness. She fiddles with the focus knobs, but soon gives up. Instead, she leans over the cast-iron banister and looks down at the ground floor, which seems to consist of a single open space with a kitchen at one end and a living room at the other. The only delineation between the two is provided by a brick fireplace that looks as if it can be enjoyed from either direction.
Three creamy-white leather sofas form a horseshoe in front of the fireplace. On the coffee table in the middle, a few half-empty glasses and bottles surround an overflowing ashtray. A couple of the newspapers stacked next to them have slipped down onto the rug.
Leo is standing with his face pressed against the glass patio doors, looking out into the garden, while Kore has sat down on the stool by the grand piano at the other end of the room. Another ashtray and two glasses are sitting on the mirror-black surface. Kore is running his hand through his hair again and again, peering up at the first floor. When he spots Karen, he quickly gets up and spreads his arms queryingly. She shakes her head.
All three of them move out onto the patio and sink onto blue American Adirondack chairs. Together, they go over what they’ve seen. Or not seen. No phone, no handbag, not the flowing white dress Luna wore at the studio. At least, not so far as Karen could tell from her quick inspection. But who knows, she thinks to herself; the rows of outfits were confusingly similar, at least as far as colour goes. Maybe there had been even more clothes and she had taken some with her.
Had she left willingly or had she been forced to? By something or someone? No sign of a struggle, nothing to indicate violence or kidnapping.
On the other hand, nothing to preclude those things, either.
‘Who does the cleaning?’ she asks. ‘I assume not Luna.’
She tries hard to sound neutral.
‘I think there’s a woman who cleans and does the shopping, but I have no idea what her name is. I can ask Brynn, he set everything up.’
‘Right, and why isn’t he here, by the way?’ Karen says. ‘He’s the one who knows the owner of the house.’
Brynn Englund. Co-founder of KGB Productions, along with his brother Gordon and Kore. Karen has met both brothers in a number of contexts but doesn’t know either well. Together with Leo and someone whose name is apparently Billy, they had come back here with Luna after the party. To discuss changing the song selection, according to what Leo had told Karen.