Back Cruel Tides
Chapters (83)
  1. Cover
  2. Maps
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. About the Author

She exits the bedroom and walks back along the landing to the large window. On a whim, she grabs the telescope, angles it down a little, and presses her eye against the eyepiece, but she sees nothing but darkness. She fiddles with the focus knobs, but soon gives up. Instead, she leans over the cast-iron banister and looks down at the ground floor, which seems to consist of a single open space with a kitchen at one end and a living room at the other. The only delineation between the two is provided by a brick fireplace that looks as if it can be enjoyed from either direction.

Three creamy-white leather sofas form a horseshoe in front of the fireplace. On the coffee table in the middle, a few half-empty glasses and bottles surround an overflowing ashtray. A couple of the newspapers stacked next to them have slipped down onto the rug.

Leo is standing with his face pressed against the glass patio doors, looking out into the garden, while Kore has sat down on the stool by the grand piano at the other end of the room. Another ashtray and two glasses are sitting on the mirror-black surface. Kore is running his hand through his hair again and again, peering up at the first floor. When he spots Karen, he quickly gets up and spreads his arms queryingly. She shakes her head.

All three of them move out onto the patio and sink onto blue American Adirondack chairs. Together, they go over what they’ve seen. Or not seen. No phone, no handbag, not the flowing white dress Luna wore at the studio. At least, not so far as Karen could tell from her quick inspection. But who knows, she thinks to herself; the rows of outfits were confusingly similar, at least as far as colour goes. Maybe there had been even more clothes and she had taken some with her.

Had she left willingly or had she been forced to? By something or someone? No sign of a struggle, nothing to indicate violence or kidnapping.

On the other hand, nothing to preclude those things, either.

‘Who does the cleaning?’ she asks. ‘I assume not Luna.’

She tries hard to sound neutral.

‘I think there’s a woman who cleans and does the shopping, but I have no idea what her name is. I can ask Brynn, he set everything up.’

‘Right, and why isn’t he here, by the way?’ Karen says. ‘He’s the one who knows the owner of the house.’

Brynn Englund. Co-founder of KGB Productions, along with his brother Gordon and Kore. Karen has met both brothers in a number of contexts but doesn’t know either well. Together with Leo and someone whose name is apparently Billy, they had come back here with Luna after the party. To discuss changing the song selection, according to what Leo had told Karen.