Chapters (83)
- Cover
- Maps
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Epilogue
- About the Author
Halfway up the wide staircase she stops and looks down at the open-plan entertaining area on the ground floor. Then she tilts her head back and takes in the soaring ceiling. The cast-iron banister curves at the top of the stairs and flows on, all around the first-floor landing. No IKEA furniture in this house, Karen muses, studying sofas and armchairs that look more like Danish design than Swedish flatpack.
A tall, rectangular window runs from floor to ceiling at one end of the landing and the view goes on for miles. But not like back home in Langevik, she notes smugly, not the open sea. Instead, flat marshland spreads out before her. A flock of something that looks like dunlins to Karen are moving restlessly in the spring twilight. For a moment she wonders if the house’s owner has a genuine interest in waterfowl or if the big brass telescope standing firmly on three wooden legs by the window is simply a piquant interior design feature.
‘Hello, Luna, are you here?’ she calls out again and knocks on the nearest door.
She pushes the handle down and looks into what appears to be a study. Empty.
She moves on, knocks, waits, and opens. Four bedrooms, all of equal size and seemingly equally unused. She continues towards the end of the hallway. Another quick knock before she pushes open the double oak doors.
The room must be at least five hundred square feet. She notes the giant bed, neatly made with the bedspread folded down over the foot of the bed. She registers the sliding wardrobe doors covering the entire length of the wall on her left, the sofa, armchairs and wall-mounted TV on her right and the white gossamer curtains billowing in the breeze from the open balcony doors straight ahead.
A few quick steps and then relief; Luna’s body is not lying crushed on the stone patio below. Nor is she passed out in the adjoining bathroom, Karen concludes after popping her head in. She studies the jumble of toiletries on the shelf above the double sinks, three still-damp towels on the floor, used facial wipes and cotton swabs in the bin. A transparent plastic tampon wrapper has fluttered off course and settled on the floor.
She steps back into the bedroom and thinks that at least someone was here recently. Rows of white clothes in the closets, a handful of books on the nightstand, a bone-white jumper thrown over the armrest of the sofa.
There can be no question that this is where Luna has been sleeping. Although maybe not last night, Karen thinks with a glance at the bed. The room is slightly messy, but nothing compared to her own home, and definitely not in a way that suggests a struggle of any kind.