Back Cruel Tides
Chapters (83)
  1. Cover
  2. Maps
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. About the Author

Halfway up the wide staircase she stops and looks down at the open-plan entertaining area on the ground floor. Then she tilts her head back and takes in the soaring ceiling. The cast-iron banister curves at the top of the stairs and flows on, all around the first-floor landing. No IKEA furniture in this house, Karen muses, studying sofas and armchairs that look more like Danish design than Swedish flatpack.

A tall, rectangular window runs from floor to ceiling at one end of the landing and the view goes on for miles. But not like back home in Langevik, she notes smugly, not the open sea. Instead, flat marshland spreads out before her. A flock of something that looks like dunlins to Karen are moving restlessly in the spring twilight. For a moment she wonders if the house’s owner has a genuine interest in waterfowl or if the big brass telescope standing firmly on three wooden legs by the window is simply a piquant interior design feature.

‘Hello, Luna, are you here?’ she calls out again and knocks on the nearest door.

She pushes the handle down and looks into what appears to be a study. Empty.

She moves on, knocks, waits, and opens. Four bedrooms, all of equal size and seemingly equally unused. She continues towards the end of the hallway. Another quick knock before she pushes open the double oak doors.

The room must be at least five hundred square feet. She notes the giant bed, neatly made with the bedspread folded down over the foot of the bed. She registers the sliding wardrobe doors covering the entire length of the wall on her left, the sofa, armchairs and wall-mounted TV on her right and the white gossamer curtains billowing in the breeze from the open balcony doors straight ahead.

A few quick steps and then relief; Luna’s body is not lying crushed on the stone patio below. Nor is she passed out in the adjoining bathroom, Karen concludes after popping her head in. She studies the jumble of toiletries on the shelf above the double sinks, three still-damp towels on the floor, used facial wipes and cotton swabs in the bin. A transparent plastic tampon wrapper has fluttered off course and settled on the floor.

She steps back into the bedroom and thinks that at least someone was here recently. Rows of white clothes in the closets, a handful of books on the nightstand, a bone-white jumper thrown over the armrest of the sofa.

There can be no question that this is where Luna has been sleeping. Although maybe not last night, Karen thinks with a glance at the bed. The room is slightly messy, but nothing compared to her own home, and definitely not in a way that suggests a struggle of any kind.