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Chapters (83)
  1. Cover
  2. Maps
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Epilogue
  83. About the Author

But this isn’t a horror film. They all know the records show that Ethel Freske was taken to the hospital with severe breathing difficulties just a few weeks after she was taken to the A & E by her son. That it would turn out to be her last trip is also beyond doubt; Ethel Freske passed away there two days later.

‘Good bulbs these days,’ Smeed comments drily. ‘I’ll bet you anything that has been on since last summer.’

Chapter 71

71

No one seems to notice the man who steps through the doors of Langevik’s last remaining pub, the Hare and Crow, at 7.56 p.m. and takes a seat at a table in the back corner. And if a stray glance were to drift his way, it wouldn’t be because there’s any resemblance between him and the picture that has been prominently featured on every news website for the past couple of hours.

The picture that’s just now flashing by on the TV news.

To the extent the patrons in the half-full pub pay any attention to the TV, it’s a different story that arouses their interest. That the police have finally found the Moerbeck Swine is all well and good, but it pales in significance to the fact that the eyes of the world are suddenly on the Doggerian islands.

All over the country, people are eagerly flocking to British and American news sites, which are all reporting on Luna’s disappearance during a visit to her native country. Lumps of national pride are swallowed as they read about Luna choosing a Doggerian production company for her planned comeback. Fact boxes about the successes of the small studio started by three friends are read with sudden interest. From now on, everyone – even Evald Johannisen – will know what KGB stands for.

And the criticism levelled at the Doggerian police has not yet found a foothold among the wider reader and viewership. Especially not when it’s voiced by foreign media outlets. ‘They rescued her, what more do they bloody want?’ still seems to be the prevailing view among the people of Doggerland.

Attention, yes please, but leave the criticism at the door. It’s nice she chose to come back to her homeland, but she did leave. Just like all the other traitors who set their course for England, Sweden and God knows where during the difficult years and who are now, when times are better, coming back, all smug and full of themselves.

No, there has to be some limit to the brazenness. That much the backbone of the Hare and Crow – also known as Jaap Kloes, Egil Jenssen, and Odd Marklund – are in wholehearted agreement on. Not even owner Arild Rasmussen voices a dissenting view.

‘Coming back here and going missing like that,’ he mutters and mutes the TV.

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