Back Crime Song Save as PDF
Chapters (95)
  1. Title Page
  2. Copyright
  3. Dedication
  4. Epigraph
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-One
  26. Twenty-Two
  27. Twenty-Three
  28. Twenty-Four
  29. Twenty-Five
  30. Twenty-Six
  31. Twenty-Seven
  32. Twenty-Eight
  33. Twenty-Nine
  34. Thirty
  35. Thirty-One
  36. Thirty-Two
  37. Thirty-Three
  38. Thirty-Four
  39. Thirty-Five
  40. Thirty-Six
  41. Thirty-Seven
  42. Thirty-Eight
  43. Thirty-Nine
  44. Forty
  45. Forty-One
  46. Forty-Two
  47. Forty-Three
  48. Forty-Four
  49. Forty-Five
  50. Forty-Six
  51. Forty-Seven
  52. Forty-Eight
  53. Forty-Nine
  54. Fifty
  55. Fifty-One
  56. Fifty-Two
  57. Fifty-Three
  58. Fifty-Four
  59. Fifty-Five
  60. Fifty-Six
  61. Fifty-Seven
  62. Fifty-Eight
  63. Fifty-Nine
  64. Sixty
  65. Sixty-One
  66. Sixty-Two
  67. Sixty-Three
  68. Sixty-Four
  69. Sixty-Five
  70. Sixty-Six
  71. Sixty-Seven
  72. Sixty-Eight
  73. Sixty-Nine
  74. Seventy
  75. Seventy-One
  76. Seventy-Two
  77. Seventy-Three
  78. Seventy-Four
  79. Seventy-Five
  80. Seventy-Six
  81. Seventy-Seven
  82. Seventy-Eight
  83. Seventy-Nine
  84. Eighty
  85. Eighty-One
  86. Eighty-Two
  87. Eighty-Three
  88. Eighty-Four
  89. Eighty-Five
  90. Eighty-Six
  91. Eighty-Seven
  92. Acknowledgements
  93. About the Author
  94. Also by David Swinson
  95. Thank you for buying this ebook, published by Hachette Digital.

I slip the wrapped cocaine under the seat so it’s secured between a couple of thick metal bars, but not so far under that it’s hard to see. I do the same with the gun. I lock and then close the door.

While I’m walking back to my car I notice a good spot on the side street to park.

I back my car into the parking space, keep it running, but turn off all my lights.

There are so many ways this can go bad—Jasper’s on midnights in 1D, but Friday and Saturday are his days off. I’m sure every cop working 1D midnights knows him. Whoever rolls onto the scene after I make the call might let it go and clear the scene as a prank call once they find out who he is. It’s a roll of the dice. But if it doesn’t play out here, I’ll follow him into Maryland. PG County doesn’t fuck around, especially on midnight shift.

I feel good about it.

I recline the seat back to a cozy position and take a nice swig of whiskey from the sport bottle. I crack the window, too, and light up a smoke.

Cicadas aren’t so annoying tonight. This part of town, I guess. Not many trees to make love on. The ones that are calling out sound a little lonely.

Eighty-Four

Eighty-Four

Oh-three-hundred hours rolls around.

Oh-four-hundred hours rolls around.

It’s that special time in the morning when I used to get up to go to work because we had a search warrant. Used to love that feeling. Feels like that now.

I see a few people walk around from the front. Can’t see the front door with the stairs that lead up to the club, but I see four people come around the corner. Two women first, then two men. One of them is Jasper. One of the women is the bartender who served me when I was at the club. The other guy sure as hell looks like the officer who drove by Leslie’s home when we were sitting on her stairs. He gave us that odd, uncomfortable look. They’re both wearing suits.

I get my burner phone, and I pray those two hotshot officers who checked me out last time I was doing surveillance here are on the job.

I call 911.

A woman answers with “Nine one one. What’s your emergency?”

I disguise my voice by talking fast and in a lower pitch. I give her the location of the rear of the club.

“I’m just getting off work as a bartender, and I’m sitting in my car. I saw a skinny homeless man walk up to a large man who’s sitting in a red old-model Cadillac DeVille.”

“What’s your emergency, sir?”