Back Crime Song Save as PDF
Chapters (95)
  1. Title Page
  2. Copyright
  3. Dedication
  4. Epigraph
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-One
  26. Twenty-Two
  27. Twenty-Three
  28. Twenty-Four
  29. Twenty-Five
  30. Twenty-Six
  31. Twenty-Seven
  32. Twenty-Eight
  33. Twenty-Nine
  34. Thirty
  35. Thirty-One
  36. Thirty-Two
  37. Thirty-Three
  38. Thirty-Four
  39. Thirty-Five
  40. Thirty-Six
  41. Thirty-Seven
  42. Thirty-Eight
  43. Thirty-Nine
  44. Forty
  45. Forty-One
  46. Forty-Two
  47. Forty-Three
  48. Forty-Four
  49. Forty-Five
  50. Forty-Six
  51. Forty-Seven
  52. Forty-Eight
  53. Forty-Nine
  54. Fifty
  55. Fifty-One
  56. Fifty-Two
  57. Fifty-Three
  58. Fifty-Four
  59. Fifty-Five
  60. Fifty-Six
  61. Fifty-Seven
  62. Fifty-Eight
  63. Fifty-Nine
  64. Sixty
  65. Sixty-One
  66. Sixty-Two
  67. Sixty-Three
  68. Sixty-Four
  69. Sixty-Five
  70. Sixty-Six
  71. Sixty-Seven
  72. Sixty-Eight
  73. Sixty-Nine
  74. Seventy
  75. Seventy-One
  76. Seventy-Two
  77. Seventy-Three
  78. Seventy-Four
  79. Seventy-Five
  80. Seventy-Six
  81. Seventy-Seven
  82. Seventy-Eight
  83. Seventy-Nine
  84. Eighty
  85. Eighty-One
  86. Eighty-Two
  87. Eighty-Three
  88. Eighty-Four
  89. Eighty-Five
  90. Eighty-Six
  91. Eighty-Seven
  92. Acknowledgements
  93. About the Author
  94. Also by David Swinson
  95. Thank you for buying this ebook, published by Hachette Digital.

I’m blessed, really. The DeVille is old enough for my slim jim to work on it. I’ll try not to scratch the car’s finish. It’s in pristine condition. The fuckhead probably has it detailed once a week.

I’m good with the slim jim. Back when I was on patrol, I was the guy they called when citizens locked their keys in their cars or when there was a search warrant. Nowadays, a slim jim is useless unless it’s an old-model car.

I scan my surroundings again. On one side of the building is a small side street with zero traffic on it. I look up at the rear entrance, too. Gotta be cautious.

I get the slim jim placed just right, near the inside door handle. Move it up slowly, feel the rod, and pull up.

Lock pops up. With any luck there’s no new-type alarm system. Even then I can do what I have to do very fast.

I open the door.

No alarm.

I pop the trunk, close the door quietly, move around to the rear of the car, and lift the trunk lid to look inside.

Fuck me!

I huff out a half chuckle ’cause I’m so happy. It’s like Christmas.

A couple hundred records and an equal number of CDs are stacked in several piles along the large bed of the trunk. I don’t even have to look through them to know they’re mine. The cover edges I can see reveal the titles. Fucking Fugazi, Ramones, Funkadelic, Velvet Underground, Johnny Cash, Nick Cave and the Bad Seeds, just to name a few, and then the CDs—Spacemen 3, the Cave Singers, Pogues, and so many more. And then there’s a laptop, but it isn’t mine. Why would that motherfucker keep all this in the trunk of his car with everything going down around him? Arrogant asshole or just stupid. Maybe he’s gonna dispose of it all.

Whatever. I feel…so vindicated. But I know I have to make another sacrifice. I can’t take anything. It’s a chance, because Hurley is the only one who can make the connection, so I’m hoping he gets a call if—or, I hope, when—Jasper gets nabbed.

I place the money beneath two stacks of records. I set the boxes of zips and the rose pipes in a space toward the front, then open the box of zips and scatter some around the same area. I also sprinkle a bit of cocaine on the trunk liner and on a plastic Pogues CD case. I take out five of the rose pipes so it looks like he sold a few.

I quietly close the trunk and return to the front door. I check under the seat using my Streamlight.

Nothing there. Clean dude.