Back Crime Song Save as PDF
Chapters (95)
  1. Title Page
  2. Copyright
  3. Dedication
  4. Epigraph
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-One
  26. Twenty-Two
  27. Twenty-Three
  28. Twenty-Four
  29. Twenty-Five
  30. Twenty-Six
  31. Twenty-Seven
  32. Twenty-Eight
  33. Twenty-Nine
  34. Thirty
  35. Thirty-One
  36. Thirty-Two
  37. Thirty-Three
  38. Thirty-Four
  39. Thirty-Five
  40. Thirty-Six
  41. Thirty-Seven
  42. Thirty-Eight
  43. Thirty-Nine
  44. Forty
  45. Forty-One
  46. Forty-Two
  47. Forty-Three
  48. Forty-Four
  49. Forty-Five
  50. Forty-Six
  51. Forty-Seven
  52. Forty-Eight
  53. Forty-Nine
  54. Fifty
  55. Fifty-One
  56. Fifty-Two
  57. Fifty-Three
  58. Fifty-Four
  59. Fifty-Five
  60. Fifty-Six
  61. Fifty-Seven
  62. Fifty-Eight
  63. Fifty-Nine
  64. Sixty
  65. Sixty-One
  66. Sixty-Two
  67. Sixty-Three
  68. Sixty-Four
  69. Sixty-Five
  70. Sixty-Six
  71. Sixty-Seven
  72. Sixty-Eight
  73. Sixty-Nine
  74. Seventy
  75. Seventy-One
  76. Seventy-Two
  77. Seventy-Three
  78. Seventy-Four
  79. Seventy-Five
  80. Seventy-Six
  81. Seventy-Seven
  82. Seventy-Eight
  83. Seventy-Nine
  84. Eighty
  85. Eighty-One
  86. Eighty-Two
  87. Eighty-Three
  88. Eighty-Four
  89. Eighty-Five
  90. Eighty-Six
  91. Eighty-Seven
  92. Acknowledgements
  93. About the Author
  94. Also by David Swinson
  95. Thank you for buying this ebook, published by Hachette Digital.

I roll out. Figure I’ll go back home and write this thing up for Aunt Linda. I got what she wants—or, rather, what she doesn’t want. I’ll give her some comfort and say I’ll talk to him, scare him, even. I know how to use fear, and with any luck Jeffrey’s not so far gone that it won’t work.

Five

Five

When I make the turn onto 12th I see several marked and unmarked units as well as an ambulance. Couple of local news media vans, too, with cameras already set up on tripods. Looks like a bad scene, and it’s near my house. Shit, I’m high. Now I have to take an illegal spot at the corner. And fuck, I gotta walk through all that to get to my house. If I can get to my house. They got the yellow tape up, connected to a fence a couple homes down from mine and stretching across the sidewalk to a utility pole. One of the cruisers, I notice, is cruiser 1.

The damn chief.

A few neighbors are out. Worried faces all around.

When I get half a block up I’m more than startled to see the house they’re moving through is mine.

Fuck!

I got my pack full with shit I don’t want to be found, and I probably smell like weed.

I light a cigarette. Puff the smoke down so it folds around my clothes.

What good is that?

Did they finally hit me, and that’s a search warrant?

I think about going back to my car, taking off. At the least drop the pack off in my car. Taking off sounds better, though.

I’m frozen. I never freeze.

One of the officers notices me. I know him. Hal Lloyd. He’s an old-timer outta 3D. He waves me toward him, then signals a detective close by and points me out to him.

I think I just got fucked.

Cameras pan toward me.

So much for taking off.

I acknowledge him, and after a couple more puffs of the cigarette I slowly make my way over there, still considering the possibility of running.

How stupid is that? Fucking cameras got me on the local news now.

“That’s my house. What the hell’s going on here, Lloyd?” I ask.

“Hey, Frankie. I’ll let the detective here advise you about that,” he says while lifting the tape so I can duck under and enter.

The young detective is there to greet me. No cuffs out, so maybe…

“Detective Joe Hurley.” He introduces himself and extends his hand to shake.

I accept.

“What happened?” I ask with more than a bit of trepidation.

“Let’s talk at your house. Let me get the detective on the scene.”

When they don’t answer, then it’s not gonna be good.

“You’re a detective,” I tell him.