Back Crime Song Save as PDF
Chapters (95)
  1. Title Page
  2. Copyright
  3. Dedication
  4. Epigraph
  5. One
  6. Two
  7. Three
  8. Four
  9. Five
  10. Six
  11. Seven
  12. Eight
  13. Nine
  14. Ten
  15. Eleven
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-One
  26. Twenty-Two
  27. Twenty-Three
  28. Twenty-Four
  29. Twenty-Five
  30. Twenty-Six
  31. Twenty-Seven
  32. Twenty-Eight
  33. Twenty-Nine
  34. Thirty
  35. Thirty-One
  36. Thirty-Two
  37. Thirty-Three
  38. Thirty-Four
  39. Thirty-Five
  40. Thirty-Six
  41. Thirty-Seven
  42. Thirty-Eight
  43. Thirty-Nine
  44. Forty
  45. Forty-One
  46. Forty-Two
  47. Forty-Three
  48. Forty-Four
  49. Forty-Five
  50. Forty-Six
  51. Forty-Seven
  52. Forty-Eight
  53. Forty-Nine
  54. Fifty
  55. Fifty-One
  56. Fifty-Two
  57. Fifty-Three
  58. Fifty-Four
  59. Fifty-Five
  60. Fifty-Six
  61. Fifty-Seven
  62. Fifty-Eight
  63. Fifty-Nine
  64. Sixty
  65. Sixty-One
  66. Sixty-Two
  67. Sixty-Three
  68. Sixty-Four
  69. Sixty-Five
  70. Sixty-Six
  71. Sixty-Seven
  72. Sixty-Eight
  73. Sixty-Nine
  74. Seventy
  75. Seventy-One
  76. Seventy-Two
  77. Seventy-Three
  78. Seventy-Four
  79. Seventy-Five
  80. Seventy-Six
  81. Seventy-Seven
  82. Seventy-Eight
  83. Seventy-Nine
  84. Eighty
  85. Eighty-One
  86. Eighty-Two
  87. Eighty-Three
  88. Eighty-Four
  89. Eighty-Five
  90. Eighty-Six
  91. Eighty-Seven
  92. Acknowledgements
  93. About the Author
  94. Also by David Swinson
  95. Thank you for buying this ebook, published by Hachette Digital.

I turn right again, pass the alley at a slow speed, notice the two guys up against the wall, face-first and legs spread. I make my way back home. It’s not my concern whether they find probable cause to lock these boys up. Like I said, I could care less. All I wanted to do is follow through for Diamond so he wouldn’t have to pick them up. Now he doesn’t.

I call him on my phone.

“Yeah, police got them,” I say. “We’ll just say it was an anonymous call from a concerned citizen.”

I advise him that I appreciate the call and tell him to let me know the second Biddy calls.

I find the same parking spot near home. It’s too fucking early, and I’m going to have another long night of surveillance on Younger and Older. I figure they gotta be good for a little something, maybe more. I’m enthusiastic for something more. I’m not gonna deny my need. My brain’s wired that way, ’cause if I run out I’m useless. I’ve been there, and I don’t want to go back. I justify these actions because there’s also the possibility that I might get good information outta that house. Something that might lead me to Jeffrey’s murderer.

I strip back down to my shorts and hit the sack.

Forty

Forty

I wait for Younger and Older around the same time as last night. This time they step out a little early. Younger lights up a big blunt on the stoop, shares it with Older.

I tail them the same way, but this time they slow to a crawl on 17th before Rhode Island Avenue. They take a right on Rhode Island. I get to the corner just as they’re making a U-turn a quarter of the way up the block. I pull up slowly, like I’m gonna turn left, but I notice them park illegally alongside the curb behind some orange construction barrels. I make a left because I don’t want to pass them. I pull into the opening of a narrow alley, blocking the sidewalk. A couple of pedestrians give me a dirty look as they have to walk around my car. Not many other folks around this time of night.

I cup my binos and observe them exit the vehicle and walk toward Connecticut Ave. Are they going to the club where Jeffrey used to go?

I back out carefully, letting a couple of cars pass, then I drive slowly behind them. It’s a long block, so I have to stay back.

They get to the corner and wait for the WALK sign before crossing Connecticut. I double-park farther back and tap on my hazard lights. I can barely make out the entrance to the club, but I can see enough of the steps to know whether they’re about to enter.