Back 100 Poems Save as PDF
Chapters (104)
  1. Title Page
  2. Copyright Notice
  3. Family Note
  4. Digging
  5. Death of a Naturalist
  6. Blackberry-Picking
  7. Follower
  8. Mid-Term Break
  9. The Diviner
  10. Twice Shy
  11. Scaffolding
  12. Personal Helicon
  13. The Forge
  14. The Peninsula
  15. Requiem for the Croppies
  16. Night Drive
  17. The Given Note
  18. Bogland
  19. Anahorish
  20. Broagh
  21. The Other Side
  22. The Tollund Man
  23. Wedding Day
  24. Westering
  25. Mossbawn: Two Poems in Dedication
  26. 2. The Seed Cutters
  27. Funeral Rites
  28. The Grauballe Man
  29. Punishment
  30. from Whatever You Say Say Nothing
  31. from Singing School
  32. 2. A Constable Calls
  33. 4. Summer 1969
  34. 6. Exposure
  35. Oysters
  36. A Drink of Water
  37. The Strand at Lough Beg
  38. Casualty
  39. The Singer’s House
  40. Elegy
  41. from Glanmore Sonnets
  42. The Otter
  43. The Skunk
  44. Song
  45. The Harvest Bow
  46. In Memoriam Francis Ledwidge
  47. The Underground
  48. A Hazel Stick for Catherine Ann
  49. A Kite for Michael and Christopher
  50. The Railway Children
  51. from Station Island
  52. Alphabets
  53. The Haw Lantern
  54. From the Republic of Conscience
  55. The Stone Verdict
  56. from Clearances
  57. The Wishing Tree
  58. from The Cure at Troy
  59. Markings
  60. Seeing Things
  61. 1. I. 87
  62. Field of Vision
  63. from Glanmore Revisited
  64. A Pillowed Head
  65. Fosterling
  66. from Lightenings
  67. from Crossings
  68. The Rain Stick
  69. A Sofa in the Forties
  70. Keeping Going
  71. Two Lorries
  72. St Kevin and the Blackbird
  73. The Gravel Walks
  74. A Call
  75. A Dog Was Crying Tonight in Wicklow Also
  76. At the Wellhead
  77. At Banagher
  78. Postscript
  79. from Out of the Bag
  80. The Clothes Shrine
  81. from Sonnets from Hellas
  82. Anahorish 1944
  83. Anything Can Happen
  84. Helmet
  85. District and Circle
  86. Midnight Anvil
  87. The Lift
  88. Höfn
  89. Tate’s Avenue
  90. The Blackbird of Glanmore
  91. ‘Had I not been awake’
  92. The Conway Stewart
  93. Chanson d’Aventure
  94. Miracle
  95. Human Chain
  96. from Route 110
  97. ‘The door was open and the house was dark’
  98. In the Attic
  99. A Kite for Aibhín
  100. In Time
  101. Index
  102. Also by Seamus Heaney
  103. A Note About the Author
  104. Newsletter Sign-up

Next morning I went up into the room. Snowdrops

And candles soothed the bedside; I saw him

For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,

He lay in the four-foot box as in his cot.

No gaudy scars, the bumper knocked him clear.

A four-foot box, a foot for every year.

The Diviner

Cut from the green hedge a forked hazel stick

That he held tight by the arms of the V:

Circling the terrain, hunting the pluck

Of water, nervous, but professionally

Unfussed. The pluck came sharp as a sting.

The rod jerked with precise convulsions,

Spring water suddenly broadcasting

Through a green hazel its secret stations.

The bystanders would ask to have a try.

He handed them the rod without a word.

It lay dead in their grasp till, nonchalantly,

He gripped expectant wrists. The hazel stirred.

Twice Shy

Her scarf à la Bardot,

In suede flats for the walk,

She came with me one evening

For air and friendly talk.

We crossed the quiet river,

Took the embankment walk.

Traffic holding its breath,

Sky a tense diaphragm:

Dusk hung like a backcloth

That shook where a swan swam,

Tremulous as a hawk

Hanging deadly, calm.

A vacuum of need

Collapsed each hunting heart

But tremulously we held

As hawk and prey apart,

Preserved classic decorum,

Deployed our talk with art.

Our juvenilia

Had taught us both to wait,

Not to publish feeling

And regret it all too late –

Mushroom loves already

Had puffed and burst in hate.

So, chary and excited

As a thrush linked on a hawk,

We thrilled to the March twilight

With nervous childish talk:

Still waters running deep

Along the embankment walk.

Scaffolding

Masons, when they start upon a building,

Are careful to test out the scaffolding;

Make sure that planks won’t slip at busy points,

Secure all ladders, tighten bolted joints.

And yet all this comes down when the job’s done,

Showing off walls of sure and solid stone.

So if, my dear, there sometimes seem to be

Old bridges breaking between you and me,

Never fear. We may let the scaffolds fall,

Confident that we have built our wall.

Personal Helicon

for Michael Longley

As a child, they could not keep me from wells

And old pumps with buckets and windlasses.

I loved the dark drop, the trapped sky, the smells

Of waterweed, fungus and dank moss.

One, in a brickyard, with a rotted board top.

I savoured the rich crash when a bucket

Plummeted down at the end of a rope.

So deep you saw no reflection in it.

A shallow one under a dry stone ditch

Fructified like any aquarium.

When you dragged out long roots from the soft mulch

A white face hovered over the bottom.