Chapters (104)
- Title Page
- Copyright Notice
- Family Note
- Digging
- Death of a Naturalist
- Blackberry-Picking
- Follower
- Mid-Term Break
- The Diviner
- Twice Shy
- Scaffolding
- Personal Helicon
- The Forge
- The Peninsula
- Requiem for the Croppies
- Night Drive
- The Given Note
- Bogland
- Anahorish
- Broagh
- The Other Side
- The Tollund Man
- Wedding Day
- Westering
- Mossbawn: Two Poems in Dedication
- 2. The Seed Cutters
- Funeral Rites
- The Grauballe Man
- Punishment
- from Whatever You Say Say Nothing
- from Singing School
- 2. A Constable Calls
- 4. Summer 1969
- 6. Exposure
- Oysters
- A Drink of Water
- The Strand at Lough Beg
- Casualty
- The Singer’s House
- Elegy
- from Glanmore Sonnets
- The Otter
- The Skunk
- Song
- The Harvest Bow
- In Memoriam Francis Ledwidge
- The Underground
- A Hazel Stick for Catherine Ann
- A Kite for Michael and Christopher
- The Railway Children
- from Station Island
- Alphabets
- The Haw Lantern
- From the Republic of Conscience
- The Stone Verdict
- from Clearances
- The Wishing Tree
- from The Cure at Troy
- Markings
- Seeing Things
- 1. I. 87
- Field of Vision
- from Glanmore Revisited
- A Pillowed Head
- Fosterling
- from Lightenings
- from Crossings
- The Rain Stick
- A Sofa in the Forties
- Keeping Going
- Two Lorries
- St Kevin and the Blackbird
- The Gravel Walks
- A Call
- A Dog Was Crying Tonight in Wicklow Also
- At the Wellhead
- At Banagher
- Postscript
- from Out of the Bag
- The Clothes Shrine
- from Sonnets from Hellas
- Anahorish 1944
- Anything Can Happen
- Helmet
- District and Circle
- Midnight Anvil
- The Lift
- Höfn
- Tate’s Avenue
- The Blackbird of Glanmore
- ‘Had I not been awake’
- The Conway Stewart
- Chanson d’Aventure
- Miracle
- Human Chain
- from Route 110
- ‘The door was open and the house was dark’
- In the Attic
- A Kite for Aibhín
- In Time
- Index
- Also by Seamus Heaney
- A Note About the Author
- Newsletter Sign-up
We would be on our own
And, always politic
And shy of condescension,
I would manage by some trick
To switch the talk to eels
Or lore of the horse and cart
Or the Provisionals.
But my tentative art
His turned back watches too:
He was blown to bits
Out drinking in a curfew
Others obeyed, three nights
After they shot dead
The thirteen men in Derry.
PARAS THIRTEEN, the walls said,
BOGSIDE NIL. That Wednesday
Everybody held
Their breath and trembled.
II
It was a day of cold
Raw silence, windblown
Surplice and soutane:
Rained-on, flower-laden
Coffin after coffin
Seemed to float from the door
Of the packed cathedral
Like blossoms on slow water.
The common funeral
Unrolled its swaddling band,
Lapping, tightening
Till we were braced and bound
Like brothers in a ring.
But he would not be held
At home by his own crowd
Whatever threats were phoned,
Whatever black flags waved.
I see him as he turned
In that bombed offending place,
Remorse fused with terror
In his still knowable face,
His cornered outfaced stare
Blinding in the flash.
He had gone miles away
For he drank like a fish
Nightly, naturally
Swimming towards the lure
Of warm lit-up places,
The blurred mesh and murmur
Drifting among glasses
In the gregarious smoke.
How culpable was he
That last night when he broke
Our tribe’s complicity?
‘Now you’re supposed to be
An educated man,’
I hear him say. ‘Puzzle me
The right answer to that one.’
III
I missed his funeral,
Those quiet walkers
And sideways talkers
Shoaling out of his lane
To the respectable
Purring of the hearse …
They move in equal pace
With the habitual
Slow consolation
Of a dawdling engine,
The line lifted, hand
Over fist, cold sunshine
On the water, the land
Banked under fog: that morning
When he took me in his boat,
The screw purling, turning
Indolent fathoms white,
I tasted freedom with him.
To get out early, haul
Steadily off the bottom,
Dispraise the catch, and smile
As you find a rhythm
Working you, slow mile by mile,
Into your proper haunt
Somewhere, well out, beyond …
Dawn-sniffing revenant,
Plodder through midnight rain,
Question me again.
The Singer’s House
When they said Carrickfergus I could hear
the frosty echo of saltminers’ picks.
I imagined it, chambered and glinting,
a township built of light.
What do we say any more
to conjure the salt of our earth?
So much comes and is gone
that should be crystal and kept,
and amicable weathers
that bring up the grain of things,
their tang of season and store,
are all the packing we’ll get.
So I say to myself Gweebarra
and its music hits off the place
like water hitting off granite.
I see the glittering sound
framed in your window,
knives and forks set on oilcloth,
and the seals’ heads, suddenly outlined,
scanning everything.