Chapters (104)
- Title Page
- Copyright Notice
- Family Note
- Digging
- Death of a Naturalist
- Blackberry-Picking
- Follower
- Mid-Term Break
- The Diviner
- Twice Shy
- Scaffolding
- Personal Helicon
- The Forge
- The Peninsula
- Requiem for the Croppies
- Night Drive
- The Given Note
- Bogland
- Anahorish
- Broagh
- The Other Side
- The Tollund Man
- Wedding Day
- Westering
- Mossbawn: Two Poems in Dedication
- 2. The Seed Cutters
- Funeral Rites
- The Grauballe Man
- Punishment
- from Whatever You Say Say Nothing
- from Singing School
- 2. A Constable Calls
- 4. Summer 1969
- 6. Exposure
- Oysters
- A Drink of Water
- The Strand at Lough Beg
- Casualty
- The Singer’s House
- Elegy
- from Glanmore Sonnets
- The Otter
- The Skunk
- Song
- The Harvest Bow
- In Memoriam Francis Ledwidge
- The Underground
- A Hazel Stick for Catherine Ann
- A Kite for Michael and Christopher
- The Railway Children
- from Station Island
- Alphabets
- The Haw Lantern
- From the Republic of Conscience
- The Stone Verdict
- from Clearances
- The Wishing Tree
- from The Cure at Troy
- Markings
- Seeing Things
- 1. I. 87
- Field of Vision
- from Glanmore Revisited
- A Pillowed Head
- Fosterling
- from Lightenings
- from Crossings
- The Rain Stick
- A Sofa in the Forties
- Keeping Going
- Two Lorries
- St Kevin and the Blackbird
- The Gravel Walks
- A Call
- A Dog Was Crying Tonight in Wicklow Also
- At the Wellhead
- At Banagher
- Postscript
- from Out of the Bag
- The Clothes Shrine
- from Sonnets from Hellas
- Anahorish 1944
- Anything Can Happen
- Helmet
- District and Circle
- Midnight Anvil
- The Lift
- Höfn
- Tate’s Avenue
- The Blackbird of Glanmore
- ‘Had I not been awake’
- The Conway Stewart
- Chanson d’Aventure
- Miracle
- Human Chain
- from Route 110
- ‘The door was open and the house was dark’
- In the Attic
- A Kite for Aibhín
- In Time
- Index
- Also by Seamus Heaney
- A Note About the Author
- Newsletter Sign-up
Whole requiems at the sight of plants and gardens …
They bore her lightly on the bier. Four women,
Four friends – she would have called them girls – stepped in
And claimed the final lift beneath the hawthorn.
Höfn
The three-tongued glacier has begun to melt.
What will we do, they ask, when boulder-milt
Comes wallowing across the delta flats
And the miles-deep shag-ice makes its move?
I saw it, ridged and rock-set, from above,
Undead grey-gristed earth-pelt, aeon-scruff,
And feared its coldness that still seemed enough
To iceblock the plane window dimmed with breath,
Deepfreeze the seep of adamantine tilth
And every warm, mouthwatering word of mouth.
Tate’s Avenue
Not the brown and fawn car rug, that first one
Spread on sand by the sea but breathing land-breaths,
Its vestal folds unfolded, its comfort zone
Edged with a fringe of sepia-coloured wool tails.
Not the one scraggy with crusts and eggshells
And olive stones and cheese and salami rinds
Laid out by the torrents of the Guadalquivir
Where we got drunk before the corrida.
Instead, again, it’s locked-park Sunday Belfast,
A walled back yard, the dustbins high and silent
As a page is turned, a finger twirls warm hair
And nothing gives on the rug or the ground beneath it.
I lay at my length and felt the lumpy earth,
Keen-sensed more than ever through discomfort,
But never shifted off the plaid square once.
When we moved I had your measure and you had mine.
The Blackbird of Glanmore
On the grass when I arrive,
Filling the stillness with life,
But ready to scare off
At the very first wrong move.
In the ivy when I leave.
It’s you, blackbird, I love.
I park, pause, take heed.
Breathe. Just breathe and sit
And lines I once translated
Come back: ‘I want away
To the house of death, to my father
Under the low clay roof.’
And I think of one gone to him,
A little stillness dancer –
Haunter-son, lost brother –
Cavorting through the yard,
So glad to see me home,
My homesick first term over.
And think of a neighbour’s words
Long after the accident:
‘Yon bird on the shed roof,
Up on the ridge for weeks –
I said nothing at the time
But I never liked yon bird.’
The automatic lock
Clunks shut, the blackbird’s panic
Is shortlived, for a second
I’ve a bird’s-eye view of myself,
A shadow on raked gravel
In front of my house of life.
Hedge-hop, I am absolute
For you, your ready talkback,
Your each stand-offish comeback,
Your picky, nervy goldbeak –
On the grass when I arrive,
In the ivy when I leave.
‘Had I not been awake’
Had I not been awake I would have missed it,
A wind that rose and whirled until the roof
Pattered with quick leaves off the sycamore