Chapters (104)
- Title Page
- Copyright Notice
- Family Note
- Digging
- Death of a Naturalist
- Blackberry-Picking
- Follower
- Mid-Term Break
- The Diviner
- Twice Shy
- Scaffolding
- Personal Helicon
- The Forge
- The Peninsula
- Requiem for the Croppies
- Night Drive
- The Given Note
- Bogland
- Anahorish
- Broagh
- The Other Side
- The Tollund Man
- Wedding Day
- Westering
- Mossbawn: Two Poems in Dedication
- 2. The Seed Cutters
- Funeral Rites
- The Grauballe Man
- Punishment
- from Whatever You Say Say Nothing
- from Singing School
- 2. A Constable Calls
- 4. Summer 1969
- 6. Exposure
- Oysters
- A Drink of Water
- The Strand at Lough Beg
- Casualty
- The Singer’s House
- Elegy
- from Glanmore Sonnets
- The Otter
- The Skunk
- Song
- The Harvest Bow
- In Memoriam Francis Ledwidge
- The Underground
- A Hazel Stick for Catherine Ann
- A Kite for Michael and Christopher
- The Railway Children
- from Station Island
- Alphabets
- The Haw Lantern
- From the Republic of Conscience
- The Stone Verdict
- from Clearances
- The Wishing Tree
- from The Cure at Troy
- Markings
- Seeing Things
- 1. I. 87
- Field of Vision
- from Glanmore Revisited
- A Pillowed Head
- Fosterling
- from Lightenings
- from Crossings
- The Rain Stick
- A Sofa in the Forties
- Keeping Going
- Two Lorries
- St Kevin and the Blackbird
- The Gravel Walks
- A Call
- A Dog Was Crying Tonight in Wicklow Also
- At the Wellhead
- At Banagher
- Postscript
- from Out of the Bag
- The Clothes Shrine
- from Sonnets from Hellas
- Anahorish 1944
- Anything Can Happen
- Helmet
- District and Circle
- Midnight Anvil
- The Lift
- Höfn
- Tate’s Avenue
- The Blackbird of Glanmore
- ‘Had I not been awake’
- The Conway Stewart
- Chanson d’Aventure
- Miracle
- Human Chain
- from Route 110
- ‘The door was open and the house was dark’
- In the Attic
- A Kite for Aibhín
- In Time
- Index
- Also by Seamus Heaney
- A Note About the Author
- Newsletter Sign-up
cunning, narcotic, mimic, definite
as a steel nib’s downstroke, quick and clean,
and suddenly he hit a litter basket
with his stick, saying, ‘Your obligation
is not discharged by any common rite.
What you do you must do on your own.
The main thing is to write
for the joy of it. Cultivate a work-lust
that imagines its haven like your hands at night
dreaming the sun in the sunspot of a breast.
You are fasted now, light-headed, dangerous.
Take off from here. And don’t be so earnest,
so ready for the sackcloth and the ashes.
Let go, let fly, forget.
You’ve listened long enough. Now strike your note.’
It was as if I had stepped free into space
alone with nothing that I had not known
already. Raindrops blew in my face
as I came to and heard the harangue and jeers
going on and on. ‘The English language
belongs to us. You are raking at dead fires,
rehearsing the old whinges at your age.
That subject people stuff is a cod’s game,
infantile, like this peasant pilgrimage.
You lose more of yourself than you redeem
doing the decent thing. Keep at a tangent.
When they make the circle wide, it’s time to swim
out on your own and fill the element
with signatures on your own frequency,
echo-soundings, searches, probes, allurements,
elver-gleams in the dark of the whole sea.’
The shower broke in a cloudburst, the tarmac
fumed and sizzled. As he moved off quickly
the downpour loosed its screens round his straight walk.
Alphabets
I
A shadow his father makes with joined hands
And thumbs and fingers nibbles on the wall
Like a rabbit’s head. He understands
He will understand more when he goes to school.
There he draws smoke with chalk the whole first week,
Then draws the forked stick that they call a Y.
This is writing. A swan’s neck and swan’s back
Make the 2 he can see now as well as say.
Two rafters and a cross-tie on the slate
Are the letter some call ah, some call ay.
There are charts, there are headlines, there is a right
Way to hold the pen and a wrong way.
First it is ‘copying out’, and then ‘English’,
Marked correct with a little leaning hoe.
Smells of inkwells rise in the classroom hush.
A globe in the window tilts like a coloured O.
II
Declensions sang on air like a hosanna
As, column after stratified column,
Book One of Elementa Latina,
Marbled and minatory, rose up in him.
For he was fostered next in a stricter school
Named for the patron saint of the oak wood
Where classes switched to the pealing of a bell
And he left the Latin forum for the shade
Of new calligraphy that felt like home.
The letters of this alphabet were trees.
The capitals were orchards in full bloom,
The lines of script like briars coiled in ditches.