Chapters (104)
- Title Page
- Copyright Notice
- Family Note
- Digging
- Death of a Naturalist
- Blackberry-Picking
- Follower
- Mid-Term Break
- The Diviner
- Twice Shy
- Scaffolding
- Personal Helicon
- The Forge
- The Peninsula
- Requiem for the Croppies
- Night Drive
- The Given Note
- Bogland
- Anahorish
- Broagh
- The Other Side
- The Tollund Man
- Wedding Day
- Westering
- Mossbawn: Two Poems in Dedication
- 2. The Seed Cutters
- Funeral Rites
- The Grauballe Man
- Punishment
- from Whatever You Say Say Nothing
- from Singing School
- 2. A Constable Calls
- 4. Summer 1969
- 6. Exposure
- Oysters
- A Drink of Water
- The Strand at Lough Beg
- Casualty
- The Singer’s House
- Elegy
- from Glanmore Sonnets
- The Otter
- The Skunk
- Song
- The Harvest Bow
- In Memoriam Francis Ledwidge
- The Underground
- A Hazel Stick for Catherine Ann
- A Kite for Michael and Christopher
- The Railway Children
- from Station Island
- Alphabets
- The Haw Lantern
- From the Republic of Conscience
- The Stone Verdict
- from Clearances
- The Wishing Tree
- from The Cure at Troy
- Markings
- Seeing Things
- 1. I. 87
- Field of Vision
- from Glanmore Revisited
- A Pillowed Head
- Fosterling
- from Lightenings
- from Crossings
- The Rain Stick
- A Sofa in the Forties
- Keeping Going
- Two Lorries
- St Kevin and the Blackbird
- The Gravel Walks
- A Call
- A Dog Was Crying Tonight in Wicklow Also
- At the Wellhead
- At Banagher
- Postscript
- from Out of the Bag
- The Clothes Shrine
- from Sonnets from Hellas
- Anahorish 1944
- Anything Can Happen
- Helmet
- District and Circle
- Midnight Anvil
- The Lift
- Höfn
- Tate’s Avenue
- The Blackbird of Glanmore
- ‘Had I not been awake’
- The Conway Stewart
- Chanson d’Aventure
- Miracle
- Human Chain
- from Route 110
- ‘The door was open and the house was dark’
- In the Attic
- A Kite for Aibhín
- In Time
- Index
- Also by Seamus Heaney
- A Note About the Author
- Newsletter Sign-up
III
Once upon a time my undrowned father
Walked into our yard. He had gone to spray
Potatoes in a field on the riverbank
And wouldn’t bring me with him. The horse-sprayer
Was too big and new-fangled, bluestone might
Burn me in the eyes, the horse was fresh, I
Might scare the horse, and so on. I threw stones
At a bird on the shed roof, as much for
The clatter of the stones as anything,
But when he came back, I was inside the house
And saw him out the window, scatter-eyed
And daunted, strange without his hat,
His step unguided, his ghosthood immanent.
When he was turning on the riverbank,
The horse had rusted and reared up and pitched
Cart and sprayer and everything off balance
So the whole rig went over into a deep
Whirlpool, hoofs, chains, shafts, cartwheels, barrel
And tackle, all tumbling off the world,
And the hat already merrily swept along
The quieter reaches. That afternoon
I saw him face to face, he came to me
With his damp footprints out of the river,
And there was nothing between us there
That might not still be happily ever after.
1. I. 87
Dangerous pavements.
But I face the ice this year
With my father’s stick.
Field of Vision
I remember this woman who sat for years
In a wheelchair, looking straight ahead
Out the window at sycamore trees unleafing
And leafing at the far end of the lane.
Straight out past the TV in the corner,
The stunted, agitated hawthorn bush,
The same small calves with their backs to wind and rain,
The same acre of ragwort, the same mountain.
She was steadfast as the big window itself.
Her brow was clear as the chrome bits of the chair.
She never lamented once and she never
Carried a spare ounce of emotional weight.
Face to face with her was an education
Of the sort you got across a well-braced gate –
One of those lean, clean, iron, roadside ones
Between two whitewashed pillars, where you could see
Deeper into the country than you expected
And discovered that the field behind the hedge
Grew more distinctly strange as you kept standing
Focused and drawn in by what barred the way.
from Glanmore Revisited
VII The Skylight
You were the one for skylights. I opposed
Cutting into the seasoned tongue-and-groove
Of pitch pine. I liked it low and closed,
Its claustrophobic, nest-up-in-the-roof
Effect. I liked the snuff-dry feeling,
The perfect, trunk-lid fit of the old ceiling.
Under there, it was all hutch and hatch.
The blue slates kept the heat like midnight thatch.
But when the slates came off, extravagant
Sky entered and held surprise wide open.
For days I felt like an inhabitant
Of that house where the man sick of the palsy
Was lowered through the roof, had his sins forgiven,
Was healed, took up his bed and walked away.
A Pillowed Head
Matutinal. Mother-of-pearl
Summer come early. Slashed carmines
And washed milky blues.