100 Poems
Chapters (104)
- Title Page
- Copyright Notice
- Family Note
- Digging
- Death of a Naturalist
- Blackberry-Picking
- Follower
- Mid-Term Break
- The Diviner
- Twice Shy
- Scaffolding
- Personal Helicon
- The Forge
- The Peninsula
- Requiem for the Croppies
- Night Drive
- The Given Note
- Bogland
- Anahorish
- Broagh
- The Other Side
- The Tollund Man
- Wedding Day
- Westering
- Mossbawn: Two Poems in Dedication
- 2. The Seed Cutters
- Funeral Rites
- The Grauballe Man
- Punishment
- from Whatever You Say Say Nothing
- from Singing School
- 2. A Constable Calls
- 4. Summer 1969
- 6. Exposure
- Oysters
- A Drink of Water
- The Strand at Lough Beg
- Casualty
- The Singer’s House
- Elegy
- from Glanmore Sonnets
- The Otter
- The Skunk
- Song
- The Harvest Bow
- In Memoriam Francis Ledwidge
- The Underground
- A Hazel Stick for Catherine Ann
- A Kite for Michael and Christopher
- The Railway Children
- from Station Island
- Alphabets
- The Haw Lantern
- From the Republic of Conscience
- The Stone Verdict
- from Clearances
- The Wishing Tree
- from The Cure at Troy
- Markings
- Seeing Things
- 1. I. 87
- Field of Vision
- from Glanmore Revisited
- A Pillowed Head
- Fosterling
- from Lightenings
- from Crossings
- The Rain Stick
- A Sofa in the Forties
- Keeping Going
- Two Lorries
- St Kevin and the Blackbird
- The Gravel Walks
- A Call
- A Dog Was Crying Tonight in Wicklow Also
- At the Wellhead
- At Banagher
- Postscript
- from Out of the Bag
- The Clothes Shrine
- from Sonnets from Hellas
- Anahorish 1944
- Anything Can Happen
- Helmet
- District and Circle
- Midnight Anvil
- The Lift
- Höfn
- Tate’s Avenue
- The Blackbird of Glanmore
- ‘Had I not been awake’
- The Conway Stewart
- Chanson d’Aventure
- Miracle
- Human Chain
- from Route 110
- ‘The door was open and the house was dark’
- In the Attic
- A Kite for Aibhín
- In Time
- Index
- Also by Seamus Heaney
- A Note About the Author
- Newsletter Sign-up
Title Page
Copyright Notice
The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy.
Family Note
The idea for this collection of one hundred poems is not a new one. My father himself had contemplated such a book, particularly in later years, and had gone as far as discussing it with his editor and close confidants. The notion of a ‘trim’ selection appealed to him, and while he had chosen and edited Selected Poems 1965–1975, New Selected Poems 1966–1987 and Opened Ground: Selected Poems 1966–1996 – as well as many editions in translation – no single volume existed representing the entire sweep of his career, from first collection to last.
Now, almost five years after his death, we, his immediate family, have returned to that idea. By its very nature, this is a different selection from the one Dad might have made – or an independent editor, for that matter. We took the decision to draw from the twelve original collections (with two exceptions) and leave aside his translations of Sweeney Astray, Beowulf and others. It includes many of his best-loved and most celebrated poems, as well as others that were among his favourites to read and which conjure up that much-missed voice. However, we also made some choices that have special resonance for us individually: evocations of departed friends; remembered moments from a long-ago holiday; familiar objects from our family home. Each one of us – my mother, Marie, my brothers, Michael and Christopher, and I – approached the task with a lifetime’s memories, no one more so than my mother, who had to choose from a trove of love poems spanning fifty years. Perhaps inevitably, the resulting selection is imbued with personal recollections of our shared lives.
Yet we hope that everyone will find something here to cherish or be surprised by: that a newcomer will enjoy reading these poems for the first time, and that the long-time devotee might rediscover a forgotten favourite or simply listen again to the poetic voice as it changes and matures over the course of the years. Indeed, many readers will come to this book with their own particular memories and associations – of times when a poem helped to mark a moment of joy, perhaps, or offered consolation.
Finally, rather than being an ‘in memoriam’ volume, this collection is intended as a celebration of the extraordinary person who gave us these poems. He himself once said that he had begun to think of life as ‘a series of ripples widening out from an original centre’; we hope this book serves as a reminder of the power and vitality of his work, and a testament to its continuing life, rippling outwards with every new reader.
CATHERINE HEANEY