Back Worlds Collide Save as PDF
Chapters (66)
  1. Cover
  2. Praise forWorlds Collide
  3. Title Page
  4. Dedication
  5. PROLOGUE
  6. GRACE
  7. JACK
  8. GRACE
  9. JACK
  10. GRACE
  11. JACK
  12. GRACE
  13. JACK
  14. GRACE
  15. JACK
  16. GRACE
  17. JACK
  18. GRACE
  19. JACK
  20. GRACE
  21. JACK
  22. GRACE
  23. JACK
  24. GRACE
  25. JACK
  26. GRACE
  27. JACK
  28. GRACE
  29. JACK
  30. GRACE
  31. JACK
  32. GRACE
  33. JACK
  34. GRACE
  35. JACK
  36. GRACE
  37. JACK
  38. GRACE
  39. JACK
  40. GRACE
  41. JACK
  42. GRACE
  43. JACK
  44. GRACE
  45. JACK
  46. GRACE
  47. JACK
  48. GRACE
  49. JACK
  50. GRACE
  51. JACK
  52. GRACE
  53. JACK
  54. GRACE
  55. JACK
  56. GRACE
  57. JACK
  58. GRACE
  59. JACK
  60. GRACE
  61. JACK
  62. GRACE
  63. JACK
  64. GRACE
  65. EPILOGUE
  66. Copyright

Madeline and I dated for nine months, but then Debra Sills came on the show, and we really clicked. She and I dated on and off for a year before calling it quits; we were both loose cannons when it came to relationships, so really it’s impressive that we lasted as long as we did. She broke up with me to date some guy she’d met during an off season gig, and I took a break from women for a while.

I started getting bit parts in movies, and my character was written into some action that really stretched me as an actor, but I found I was spreading myself too thin. On the one hand, I wanted as much exposure as possible—that was how I’d get known in this town. But on the other hand I’d worked hard to get where I finally was, and I didn’t want to ruin it by going down that road so many green actors go down: working yourself into the ground and getting burned out and pushing yourself onto bigger and bigger projects. That kind of lifestyle had never paid off for anyone; they always ended up drinking themselves into their graves—or at least into forced retirement when no one was willing to take the chance of hiring them—or else they had mental breakdowns and ended up on the After-School Special circuit. But I also didn’t want to be in the same place doing the same thing five years down the road. I learned quickly that the life of a serious actor is one big balancing act.

Those first three years on DC were heaven for me. I finally felt like I had come into my own, like I wasn’t fudging in the slightest if I wrote “actor” on the occupation line of surveys or credit applications. When you’re stuck doing community theatre you never feel like a real actor; it’s just a hobby, something you do in your free time, and you have to squeeze it in around whatever it is you do to pay the bills. But once I got on DC, all that changed. I was getting paid to do this. I even got some fan mail, which was both flattering and a little frightening. It is incredible what people think you’re like just from watching you act and reading a few interviews.