Chapters (47)
- Cover
- What We Carry
- Copyright
- Dedication
- WHAT WE CARRY
- Late October
- Dust
- If This Is Paradise
- What Could Happen
- After Twelve Days of Rain
- Aphasia
- Graveyard at Hurd’s Gulch
- What We Carry
- The Job
- For the Sake of Strangers
- What I Wouldn’t Do
- Singing Back the World
- Balance
- SMALL GODS
- For My Daughter Who Loves Animals
- Planning the Future
- Finding What’s Lost
- Homecoming
- The Aqueduct
- Graffiti
- Twelve
- Matinee
- The Ebony Chickering
- Small Gods
- Family Reunion
- Each Sound
- AS IT IS
- As It Is
- Fast Gas
- The Thief
- Landrum’s Diner, Reno
- Sunday Radio
- Enough Music
- Kaleidoscope
- This Close
- Afterwards
- 2 AM
- The Lovers
- Kissing
- Acknowledgments
- About the Author
- BOA EDITIONS, LTD.
half-naked like puppies on a rug, bathed
in the blue TV light, trying to be good.
We watched them from the corners of our eyes
as they swayed through the house on huge
fearless legs, or sat down slowly
with some large idea and a book.
I could not imagine the immense thoughts
they carried in their heads, their hearts
pumping like heavy machinery.
And maybe this was how it had to be, their silence
a rigid religion, a state of eternal grace
we could never know.
And of the animals I tended through those years,
skinny white mice and shivering birds, dogs
with their browbeaten eyes, the cat
who stared back at me with the glazed green irises
of an idiot savant. What did I know
of their terrors, their souls? Like the child I was,
I simply gave them names and fed them.
Day after day, I watched them grow.
Family Reunion
Camera in hand, I call out to them,
one by one, in twos and threes,
working up to the group shots,
the family portrait.
My nephews, scrubbed clean, dressed
in red, hug each other’s mirror image
and smile the same smile.
Head to head, their dark hair mingles
as the shutter clicks.
Now I sit the baby between them,
my niece who has my eyes, my nose,
a stranger’s wide mouth.
The flash going off in her face
makes her love the small black box
I hold, so much, she is willing to pose
forever, as if I held the force
of the sun, a gorgeous toy, and all
her days balanced in my hands.
Grandmother squeezes in, holds
her baby’s babies in her diminishing lap,
circles the shoulders of her son,
her daughters, my own shy daughter,
and pulls them into the frame,
the fine lines of noses and chins
a painter’s signature stroke.
I take picture after picture,
the windows going darker
with each bright flash, each face
held up to the repetition of light.
But when I look to see how many frames
are left, I find the tiny window
in the camera is empty, remember
the film left on my dresser
500 miles away. I smile at my family,
ask them to stay where they are
just a few minutes longer as I press
the blank shutter again
and again, burning their images into my own
incorruptible lens, picture
after perfect picture, saving them all
with my naked eye, my bare hands,
the purest light of my love.
Each Sound
Beginnings are brutal, like this accident
of stars colliding, mute explosions
of colorful gases, the mist and dust
that would become our bodies
hurling through black holes, rising,
muck ridden, from pits of tar and clay.
Back then it was easy to have teeth,
claw our way into the trees — it was
accepted, the monkeys loved us, sat
on their red asses clapping and laughing.
We’ve forgotten the luxury of dumbness,