Chapters (47)
- Cover
- What We Carry
- Copyright
- Dedication
- WHAT WE CARRY
- Late October
- Dust
- If This Is Paradise
- What Could Happen
- After Twelve Days of Rain
- Aphasia
- Graveyard at Hurd’s Gulch
- What We Carry
- The Job
- For the Sake of Strangers
- What I Wouldn’t Do
- Singing Back the World
- Balance
- SMALL GODS
- For My Daughter Who Loves Animals
- Planning the Future
- Finding What’s Lost
- Homecoming
- The Aqueduct
- Graffiti
- Twelve
- Matinee
- The Ebony Chickering
- Small Gods
- Family Reunion
- Each Sound
- AS IT IS
- As It Is
- Fast Gas
- The Thief
- Landrum’s Diner, Reno
- Sunday Radio
- Enough Music
- Kaleidoscope
- This Close
- Afterwards
- 2 AM
- The Lovers
- Kissing
- Acknowledgments
- About the Author
- BOA EDITIONS, LTD.
the small favors, the daily gifts.
Not that there isn’t passion: the hotel bed
left a mess, bright wrappers and ribbons
scattered across the floor. But we love
where we’ve come to, this drowsy morning
among strangers, slumped shoulder to shoulder,
holding each other up. Our round and clumsy
waitress owns the place, trundles
between the counters filling cup after cup.
When she walks the short length of the diner,
each floorboard aches under her weight, shakes
us awake. She stops before us and lowers
her face, unlined, moon-shaped,
between our faces, her hands outstretched
palms up, in love with her work, asking
what more we could want?
Sunday Radio
From my husband’s window I hear a woman
singing, low in her throat, a song meant to break
a thousand hearts into bloom.
In his loneliness he sings too,
losing words and notes along the way
but staying with her, sure of the refrain.
This is the hardest part of the marriage: knowing.
Clipping the roses, knowing. Raking the leaves.
Pausing at the staircase to listen
to how his voice breaks, then goes on with the song.
Enough Music
Sometimes, when we’re on a long drive,
and we’ve talked enough and listened
to enough music and stopped twice,
once to eat, once to see the view,
we fall into this rhythm of silence.
It swings back and forth between us
like a rope over a lake.
Maybe it’s what we don’t say
that saves us.
Kaleidoscope
I remember sex before my husband
as a vague, vagrant landscape
of taller, darker men, all thick hair
and hands, the full lips of the rich past.
And sometimes, when I’m taking a sidewalk
full tilt, my heels chipping
the glittering cement, I feel their eyes,
their sweet lost fingers
tugging at my clothes — the one
who fell behind just to watch me walk,
to see me as a stranger might,
then caught up to catch
a handful of my hair, turn me around,
pull me back into his body’s deep folds.
They all come back, tenacious
as angels, to lean against me
at the movies, the beach — a shoulder
or a thigh pressed to mine, lashes
black and matted, and always
naked, clean and pure as souls slipped
glistening from the body’s warm wick,
like my husband’s fingers when he dips
into me, then lifts them
to his face, heavy with glaze, the leaves
crowded against our window, shivering.
This Close
In the room where we lie, light
stains the drawn shades yellow.
We sweat and pull at each other, climb
with our fingers the slippery ladders of rib.
Wherever our bodies touch, the flesh
comes alive. Heat and need, like invisible
animals, gnaw at my breasts, the soft
insides of your thighs. What I want
I simply reach out and take, no delicacy now,
the dark human bread I eat handful
by greedy handful. Eyes, fingers, mouths,