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Chapters (65)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ONE
  6. First Kiss
  7. Stolen Moments
  8. Blues for Dante Alighieri
  9. What Was
  10. So What
  11. 31-Year-Old Lover
  12. Muse
  13. You Don’t Know What Love Is
  14. Blues for Roberto
  15. Ever After: A Paradelle
  16. Sonnenizio on a Line from Drayton
  17. Ex-boyfriends
  18. Dance
  19. TWO
  20. Death Poem
  21. Scary Movies
  22. Dead Girls
  23. Echo and Narcissus
  24. Eating Together
  25. Cat Poem
  26. Noir
  27. February 14
  28. And Then I Woke Up
  29. In Dreams
  30. The Work
  31. Fever Blues
  32. Washing
  33. THREE
  34. It
  35. Knowledge
  36. California Street
  37. The Way of the World
  38. Dear Sir or Madam
  39. One Nation Under God
  40. Chicken
  41. Missing Boy Blues
  42. Human Nature
  43. FOUR
  44. Lush Life
  45. Bad Girl
  46. ’Round Midnight
  47. South of the Border
  48. Body and Soul
  49. Blues for Robert Johnson
  50. This Poem Wants to Be a Rock and Roll Song So Bad
  51. Bugdom
  52. This Poem Is In Recovery
  53. FIVE
  54. Dear Reader
  55. On Knocking Over My Glass While Reading Sharon Olds
  56. Fuck
  57. Augury
  58. Proverbial
  59. Ceiling
  60. Conversation
  61. Romance
  62. Miniatures
  63. Kisses
  64. Acknowledgments
  65. Also by Kim Addonizio

Don’t you wish you could plane away

your ass, your thighs, half your nose,

until you looked right?

And people who don’t get your jokes

or literary references, I mean

when you deliver the perfect line

from A Streetcar Named Desire

that absolutely fits the occasion

and your companion only looks

at you blankly—you want

to strangle him, don’t you?

Just take his tie—

people who wear ties

deserve what they get—

and loop it around his neck

the way a junkie takes a thin

rubber tube and squeezes it

around the arm so the veins pop?

Can’t we rid ourselves of junkies

while we’re at it, shoot them full

of that contaminated heroin from Mexico

that eats through flesh?

All the blacks and Italians, the Asians

and natural blondes,

wouldn’t it be better to round them up

and ship them all someplace

like Texas and surround them

with a big electric fence,

and don’t try to tell me that a redwood

or a zygote or a lever-pulling monkey

in a lab is more important

than a human being, because then

I’m going to want to fuck you up really bad.

Reckless freeway drivers, I know

we’re on the same page there.

Lane-changers, tailgaters, swervy

Indy 500 wanna-bes, they should just

be lined up and shot, execution-style.

And speaking of executions. How many

have there been lately? Not nearly enough.

We’ve got problems in this country I tell you.

If thy right eye offend thee

you know what to do.

And thy left eye, too.

Chicken

CHICKEN

Why did she cross the road?

She should have stayed in her little cage,

shat upon by her sisters above her,

shitting on her sisters below her.

God knows how she got out.

God sees everything. God has his eye

on the chicken, making her break

like the convict headed for the river,

sloshing his way through the water

to throw off the dogs, raising

his arms to starlight to praise

whatever isn’t locked in a cell.

He’ll make it to a farmhouse

where kind people will feed him.

They’ll bring green beans and bread,

home-brewed hops. They’ll bring

the chicken the farmer found

by the side of the road, dazed

from being clipped by a pickup,

whose delicate brain stem

he snapped with a twist,

whose asshole his wife stuffed

with rosemary and a lemon wedge.

Everything has its fate,

but only God knows what that is.

The spirit of the chicken will enter the convict.

Sometimes, in his boxy apartment,

listening to his neighbors above him,

annoying his neighbors below him,

he’ll feel a terrible hunger

and an overwhelming urge

to jab his head at the television over and over.

Missing Boy Blues

MISSING BOY BLUES

I’m lying in a field, hope you find me pretty soon.

Lying in a field, hope you find me pretty soon.