Chapters (65)
- Cover
- Title Page
- Dedication
- Epigraph
- ONE
- First Kiss
- Stolen Moments
- Blues for Dante Alighieri
- What Was
- So What
- 31-Year-Old Lover
- Muse
- You Don’t Know What Love Is
- Blues for Roberto
- Ever After: A Paradelle
- Sonnenizio on a Line from Drayton
- Ex-boyfriends
- Dance
- TWO
- Death Poem
- Scary Movies
- Dead Girls
- Echo and Narcissus
- Eating Together
- Cat Poem
- Noir
- February 14
- And Then I Woke Up
- In Dreams
- The Work
- Fever Blues
- Washing
- THREE
- It
- Knowledge
- California Street
- The Way of the World
- Dear Sir or Madam
- One Nation Under God
- Chicken
- Missing Boy Blues
- Human Nature
- FOUR
- Lush Life
- Bad Girl
- ’Round Midnight
- South of the Border
- Body and Soul
- Blues for Robert Johnson
- This Poem Wants to Be a Rock and Roll Song So Bad
- Bugdom
- This Poem Is In Recovery
- FIVE
- Dear Reader
- On Knocking Over My Glass While Reading Sharon Olds
- Fuck
- Augury
- Proverbial
- Ceiling
- Conversation
- Romance
- Miniatures
- Kisses
- Acknowledgments
- Also by Kim Addonizio
Don’t you wish you could plane away
your ass, your thighs, half your nose,
until you looked right?
And people who don’t get your jokes
or literary references, I mean
when you deliver the perfect line
from A Streetcar Named Desire
that absolutely fits the occasion
and your companion only looks
at you blankly—you want
to strangle him, don’t you?
Just take his tie—
people who wear ties
deserve what they get—
and loop it around his neck
the way a junkie takes a thin
rubber tube and squeezes it
around the arm so the veins pop?
Can’t we rid ourselves of junkies
while we’re at it, shoot them full
of that contaminated heroin from Mexico
that eats through flesh?
All the blacks and Italians, the Asians
and natural blondes,
wouldn’t it be better to round them up
and ship them all someplace
like Texas and surround them
with a big electric fence,
and don’t try to tell me that a redwood
or a zygote or a lever-pulling monkey
in a lab is more important
than a human being, because then
I’m going to want to fuck you up really bad.
Reckless freeway drivers, I know
we’re on the same page there.
Lane-changers, tailgaters, swervy
Indy 500 wanna-bes, they should just
be lined up and shot, execution-style.
And speaking of executions. How many
have there been lately? Not nearly enough.
We’ve got problems in this country I tell you.
If thy right eye offend thee
you know what to do.
And thy left eye, too.
Chicken
CHICKEN
Why did she cross the road?
She should have stayed in her little cage,
shat upon by her sisters above her,
shitting on her sisters below her.
God knows how she got out.
God sees everything. God has his eye
on the chicken, making her break
like the convict headed for the river,
sloshing his way through the water
to throw off the dogs, raising
his arms to starlight to praise
whatever isn’t locked in a cell.
He’ll make it to a farmhouse
where kind people will feed him.
They’ll bring green beans and bread,
home-brewed hops. They’ll bring
the chicken the farmer found
by the side of the road, dazed
from being clipped by a pickup,
whose delicate brain stem
he snapped with a twist,
whose asshole his wife stuffed
with rosemary and a lemon wedge.
Everything has its fate,
but only God knows what that is.
The spirit of the chicken will enter the convict.
Sometimes, in his boxy apartment,
listening to his neighbors above him,
annoying his neighbors below him,
he’ll feel a terrible hunger
and an overwhelming urge
to jab his head at the television over and over.
Missing Boy Blues
MISSING BOY BLUES
I’m lying in a field, hope you find me pretty soon.
Lying in a field, hope you find me pretty soon.