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Chapters (65)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ONE
  6. First Kiss
  7. Stolen Moments
  8. Blues for Dante Alighieri
  9. What Was
  10. So What
  11. 31-Year-Old Lover
  12. Muse
  13. You Don’t Know What Love Is
  14. Blues for Roberto
  15. Ever After: A Paradelle
  16. Sonnenizio on a Line from Drayton
  17. Ex-boyfriends
  18. Dance
  19. TWO
  20. Death Poem
  21. Scary Movies
  22. Dead Girls
  23. Echo and Narcissus
  24. Eating Together
  25. Cat Poem
  26. Noir
  27. February 14
  28. And Then I Woke Up
  29. In Dreams
  30. The Work
  31. Fever Blues
  32. Washing
  33. THREE
  34. It
  35. Knowledge
  36. California Street
  37. The Way of the World
  38. Dear Sir or Madam
  39. One Nation Under God
  40. Chicken
  41. Missing Boy Blues
  42. Human Nature
  43. FOUR
  44. Lush Life
  45. Bad Girl
  46. ’Round Midnight
  47. South of the Border
  48. Body and Soul
  49. Blues for Robert Johnson
  50. This Poem Wants to Be a Rock and Roll Song So Bad
  51. Bugdom
  52. This Poem Is In Recovery
  53. FIVE
  54. Dear Reader
  55. On Knocking Over My Glass While Reading Sharon Olds
  56. Fuck
  57. Augury
  58. Proverbial
  59. Ceiling
  60. Conversation
  61. Romance
  62. Miniatures
  63. Kisses
  64. Acknowledgments
  65. Also by Kim Addonizio

shipped from my brain stem

to my thalamus. And his news

about my grave illness was only

a synaptic frisson

deep in my cortex; I woke up

and was not dying. And my mother

was not slumped in the backseat

of a car she was supposed to be driving,

weeping, confused about where she lived.

But then, sadly, I had to realize

that the woman at the party

who told me, Write faster

and assured me of a prestigious literary prize

was also a chimera, as was the man

kissing me passionately under a tree—

its bright leaves evaporating

above our heads,

his tongue dissolving in my mouth

leaving only a gluey taste

I rinsed away with my coffee.

Already I’m forgetting what felt

like a great love, forgetting that world

which for the short while I lived there

had me fooled into believing

it was the only world; now

it is beginning to vanish,

along with everyone in it,

and this is their only elegy.

In Dreams

IN DREAMS

After eighteen years there’s no real grief left

for the man who was my father.

I hardly think of him anymore,

and those dreams I used to have,

in which he’d be standing in a room of people

I didn’t know—maybe his new friends,

if the dead have friendships—

those dreams no longer trouble my sleep.

He’s not in the crooked houses I wander through

or in the field by the highway

where I’m running, chasing down

some important piece of paper,

desperate to reach it

as it’s lifted in the wake of trucks

or flattened and marked by passing cars,

as it’s lifted again to swirl over

a broken wood fence. I don’t know why

the paper’s so important, or if anything

is even written there.

I don’t know where the dead go,

or why it’s good to forget them,

not to see them if they come crowding

the windows or trying to lay themselves down

and press along our bodies at night

and ask that we love them again,

that our sorrows include them once more.

This morning I couldn’t get up.

I slept late, I dreamed of the single

sheet of paper, which I never managed to reach

as it stuttered and soared over the grass

and a few flowers, so that I woke

with a sense of loss, wondering who

or what I had to mourn besides

my father, whom I no longer mourn,

father buried in the earth beneath grass,

beneath flowers I trample as I run.

The Work

THE WORK

I can’t bear anymore what happens to the body,

how it begins to get ready, the skin drawing back

just slightly from the bones, the bones not

brittle yet but starting to abrade, the blood

slowing down in its thickening tunnels and sewers.

I don’t want to see how the glossy hairs are leached