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Chapters (55)
  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Acknowledgments
  6. Cast of Characters
  7. Part One
  8. One
  9. Two
  10. Three
  11. Four
  12. Five
  13. Six
  14. Seven
  15. Eight
  16. Nine
  17. Ten
  18. Eleven
  19. Twelve
  20. Thirteen
  21. Fourteen
  22. Fifteen
  23. Sixteen
  24. Seventeen
  25. Eighteen
  26. Nineteen
  27. Part Two
  28. Twenty
  29. Twenty-one
  30. Twenty-two
  31. Twenty-three
  32. Twenty-four
  33. Twenty-five
  34. Twenty-six
  35. Twenty-seven
  36. Twenty-eight
  37. Twenty-nine
  38. Thirty
  39. Thirty-one
  40. Thirty-two
  41. Thirty-three
  42. Thirty-four
  43. Thirty-five
  44. Thirty-six
  45. Thirty-seven
  46. Thirty-eight
  47. Thirty-nine
  48. Forty
  49. Forty-one
  50. Forty-two
  51. Forty-three
  52. Forty-four
  53. Forty-five
  54. Forty-six
  55. A note on the Author

And yet my immediate, most prevalent instinct was to pick the best girl for the job. I’d pick the right girl for the part and only later I’d wonder if I’d also picked the best in bed, the hottest ass, the pertest breasts. It felt very strange. But not unpleasant. In an odd way, those were some of the times when I felt closest to Scott. He’d really listen to my choice, my reasons why a redhead could never be a believable lion tamer. I felt so close to him.

And with Ruby in my apartment and under my wing, I felt close to him again.

She asked me to help her pick a piece for an audition she had three days after Christmas. She didn’t seem to me to be in any state for it. Her skin was still a wreck and she was so overexcited about the role that she was bouncing around the room, incapable of memorizing her lines. She desperately wanted to do this play off Broadway, something her agent would never have told her about, let alone let her go up for.

It was a tragicomedy the writer had penned about the film industry and he said he had created the female lead with her in mind. He had sent her a note suggesting it would be a perfect opportunity for her—“and not just in reference to the iconic bubble your agent seeks to trap you in.” He said he thought she was a brilliant actress and that she reminded him of Simone Signoret. It was the French name-drop that set her off.

Although I tried to dissuade her, she insisted on reading from Medea.

“But it’s for a part in a comedy.”

“A TRAGIcomedy,” she replied pointedly, obviously reading a different play from the one I had. There was a lot of swearing, falling over, drug deals gone “hilariously wrong,” and some onstage sex for good measure.

“Are you sure you want to do this, Ruby? I don’t even think it’s that funny.”

“It’s not funny. That’s what I keep telling you.”

The day of the audition she couldn’t eat, which was something of a relief because it meant she didn’t throw up either. Her hair was almost all its real color, a beautiful dark brown that only made her frazzled skin look worse. We pulled on our boots and mittens and I even tied her scarf in the doorway before we rode the subway downtown. There was a man play-acting being destitute but honest and Ruby watched his performance intensely.

“Ladies and gentlemen. I am sorry to interrupt your journey. I am collecting money for babies with AIDS.”

Ruby pulled out her diary and scribbled down “Babies with AIDS” in her girlish script.