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Chapters (55)
  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Acknowledgments
  6. Cast of Characters
  7. Part One
  8. One
  9. Two
  10. Three
  11. Four
  12. Five
  13. Six
  14. Seven
  15. Eight
  16. Nine
  17. Ten
  18. Eleven
  19. Twelve
  20. Thirteen
  21. Fourteen
  22. Fifteen
  23. Sixteen
  24. Seventeen
  25. Eighteen
  26. Nineteen
  27. Part Two
  28. Twenty
  29. Twenty-one
  30. Twenty-two
  31. Twenty-three
  32. Twenty-four
  33. Twenty-five
  34. Twenty-six
  35. Twenty-seven
  36. Twenty-eight
  37. Twenty-nine
  38. Thirty
  39. Thirty-one
  40. Thirty-two
  41. Thirty-three
  42. Thirty-four
  43. Thirty-five
  44. Thirty-six
  45. Thirty-seven
  46. Thirty-eight
  47. Thirty-nine
  48. Forty
  49. Forty-one
  50. Forty-two
  51. Forty-three
  52. Forty-four
  53. Forty-five
  54. Forty-six
  55. A note on the Author

Everyone asks how I’ll feel about the tattoos and scars in thirty years. I always say: “I’ll like them.” I’ve always loved damaged monuments, in architecture and in humans. I like Brigitte Bardot now, petting stray dogs and sitting in the sun, skin getting more and more leathery. I was trying to be a ruined beauty then, at twenty. I wanted to know how ugly I could get, how ruined and ugly and spoiled, before they stopped trying to fuck me. I didn’t think they’d ever notice. Nobody had so far. Because I was still in the shape of a beautiful girl. Although I behaved like an ugly one.

Even with my arms covered so you couldn’t see the scars, the high-maintenance hair color told everyone on the set of Mean People Suck that I was damaged, demanding, fragile, and fake. They only had to put a prop in my hand, to fit me for a costume, or hand me my morning coffee, to see that. On a bright morning, as all mornings on the set invariably were, the blue of the sky bounced off the white of my hair in such a way that you couldn’t really see me at all. I was the girl beneath the hair and the sky. I started to look forward to long interior shoots, three days in a classroom, in a broom closet. I loathed the exteriors.

It was Sunday morning, my first break in a while, and I was hanging out with my dealer, who soon left, having installed the new toilet roll in my gray marbled bathroom. I swallowed a Percocet and started to feel better. Drawing back the blinds, inch by inch, I surveyed New York Street Scene No. 1: another glare day, when people scrunch their pretty faces ugly in the sun.

“I can’t die,” I reminded myself, “because tonight I have to be in Brooklyn, where the dining room will stink of cats and Grandma Yetty will again note how much weight I’ve lost since I stopped seeing Sebastian.” Grandma Yetty is a grandma, but not mine. She used to babysit me when I was a little girl.

When I first told Grandma Yetty I was seeing Sebastian I said he had an English literature degree from Harvard. Then I told her that he was black.

“White-black, I presume?”

“What are you talking about?”

“You know, like a white South African. As opposed to a black South African. Is he a white-black?”

“No. I don’t think there are any white-blacks, Yetty.”

“Oh,” she said dejectedly, “well, is he black-Jewish?” Her voice grew more hopeful: “Like Sammy Davis.”

“No. He’s not like Sammy Davis. Um. At all.”