Back The Yellow Bird Sings
Chapters (60)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Part 1
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Part 2
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Part 3
  47. Chapter 41
  48. Chapter 42
  49. Chapter 43
  50. Chapter 44
  51. Part 4
  52. Chapter 45
  53. Chapter 46
  54. Chapter 47
  55. Note About Polish Surnames
  56. Translations
  57. Acknowledgments
  58. Author’s Note
  59. About the Author
  60. Newsletter Sign-up

“Excellent. Go see Shmuel, the tailor, first thing in the morning; he’s in charge of that.”

Aron nods as if it’s settled. Róża thinks back to the first time she met Natan, the day he came to her father’s workshop for a violin repair. He poked his head into the parlor where Róża was playing her cello and asked, almost reverently, if she’d like to work on duets with him.

“I should return to my bunk,” Róża says.

In the morning, Róża finds Shmuel hunched over an actual pedal-pump sewing machine. The camp is filled with such unlikely objects. Tree saws. Blacksmith tools. A woodstove. All stolen, Róża guesses, and lugged to the camp. The foot pedal needs greasing; it gives off the smell of burnt hair with each push.

“I’m Róża. Sonia sent me to help you with sewing this morning.”

“Good, I can use the help. There is a mission in a few days’ time, and the fighters need their belts to actually hold bullets.”

Róża settles herself at a small table and gets to work, reinforcing the stitches on the belts, as many as she can, paying careful attention so that not a single bullet will slip out. After a time, Róża loses herself in the rhythm—Shmuel’s press of the pedal, the yank and tug of thread through fabric—and her mind goes to the outfits she crocheted for Shira’s make-believe bird and the all-too-real letters she stitched into her blanket seam.

When Shmuel looks up from his work, he frowns to see Róża shiver. “I have an extra jacket in that bin over there if you’re cold.”

“It’s not that. But thank you.”

Across the square, Róża sees a mother bounce her child, hold her close.

At mealtime, Róża stands in a long line for soup. People around her grouse that it’s beets and potatoes once again. Róża tastes it, creamy and thick, before leaving the line. She cannot believe how good it is.

“What’s in this?” Róża asks. Its richness causes her to shudder with pleasure.

“Milk.” The young woman who ladles the soup looks prideful.

“Milk!” Róża can’t think of the last time she had milk! She can think only of the burnt roots and mushrooms that she and Chana have eaten for the last several months.

“Two days ago,” the woman continues, “Itzhak returned from the countryside with a pail of milk. Liquid gold, kept on ice. We’ve taken to guarding it.”

There are potatoes, too, and salt.