Chapters (43)
- Cover Page
- The Witch
- ACKNOWLEDGEMENTS
- ABBREVIATIONS
- INTRODUCTION
- FURTHER READING
- The Witch
- [DRAMATIS PERSONAE]
- THE WITCH
- [Act I,] Scene ii
- Act II, Scene i
- [Act II,] Scene ii
- [Act II,] Scene iii
- Act III, Scene i
- [Act III,] Scene ii
- [Act III,] Scene iii
- Act IV, Scene i
- [Act IV,] Scene ii
- [Act IV,] Scene iii
- Act V, Scene i
- [Act V,] Scene ii
- [Act V,] Scene iii
- APPENDIX
- In a maiden time profess’d
- Come Away, Hecate!
- Notes
- Thomas Holmes, Esquire
- Act I, Scene i
- [Act I,] Scene ii
- Act II, Scene i
- [Act II,] Scene ii
- [Act II,] Scene iii
- Act III, Scene i
- [Act III,] Scene ii
- [Act III,] Scene iii
- Act IV, Scene i
- [Act IV,] Scene ii
- Act IV Scene iii
- Act V, Scene i
- [Act V,] Scene ii
- [Act V,] Scene iii
- Appendix
- Footnotes
82 of yours of your peace
83 her herself
[Act IV,] Scene ii
5 vow-making i.e. the betrothal between Isabella and Sebastian
12–20 Sebastian is arguing that a full marriage service would only be an earthly witness to the more important heavenly union which he and Isabella have already been through in their betrothal.
17 least i.e. the earthly marriage service
22 s.d. two lines earlier in MS
25 she Isabella
26 him Antonio
27 this Florida
she ed. (he MS) MS confuses his/her at IV.iii.36, so this emendation is plausible and it helps to make sense of an otherwise incomprehensible narrative: who would the ‘he’ be? If the ‘she’ is read as Isabella the meaning is that Isabella will ’compound’ with Florida and so will already be half-convinced of the truth of Sebastian’s allegations.
compound bargain, agree
29 carriage management
34 garden-side gate
betimes in good time
35 Closely See II.iii.4.
take take my place in
lodging Isabella’s bedchamber. This results in Florida being stabbed by Antonio
because of Francisca’s plot.
42 market custom as prostitute
43 you … neither don’t waste time
44 Cf. Francisca’s plot, IV.iii.34.
45 mainly with force, vigour, violence. Cf. Tilley S 714: ‘Of a little spark a great fire’.
59 feed ed. (feele MS)
69 ladyship As an aristocrat Isabella is not used to being called by the lower-class title of ‘gentlewoman’.
79 on’s of his
82 This confirms that Isabella has been talking with Florida.
90 disease disturb
92 first love This is the audience’s first hint of the trick Antonio played on Isabella.
98 this i.e. the rape
109 affect feel affection for
117 Cf. Tilley M 298: ‘Man proposes, God disposes’.
Act IV Scene iii
0 s.d. chamber bedchamber. Subsequent action makes clear this must be ‘above’.
1 time the time he said he would arrive
5–6 Once Isabella is publicly dishonoured, no-one will believe her word, so Francisca will have nothing to fear from Isabella telling tales.
8 betimes early
sleights as in ‘sleight of hand’
9 resolved convinced, certain
11 but except for
14 In … metal in kind
16 cries by means of his snores
disease discomfort
18 spiced i.e. drugged
posset See I.ii.85n. This recalls the preparations for the murder of Duncan in Macbeth.
21 him Gaspero
22 throw’t attempt, have a fling at the trick she is about to practise on Gaspero
25 rise i.e. sexually. See also ‘stir’ in 1. 28.
36 his MS corrects the original ‘his’ to ‘her’ but 11. 33–4 make it clear that it is Gaspero’s absence from his bed that Francisca wants to be noticed. I therefore restore the original MS reading.
lodging bedchamber
37–8 Here’s… more These lines are spoken in Gaspero’s bedchamber, so his absence appears to confirm his guilt.
40 FLORIDA ed. (fra. MS) I reject the MS wording as this would make nonsense of Francisca’s plot.
43 spoiled destroyed, killed
44 s.d. Antonio can enter anywhere around the beginning of this speech; for theatrical effect it seems best to get him on quickly.
45 house of falsehood hell
54 Cf. Macbeth I.vii. 1.
56–7 Come… too ed. (one line in MS)