Chapters (43)
- Cover Page
- The Witch
- ACKNOWLEDGEMENTS
- ABBREVIATIONS
- INTRODUCTION
- FURTHER READING
- The Witch
- [DRAMATIS PERSONAE]
- THE WITCH
- [Act I,] Scene ii
- Act II, Scene i
- [Act II,] Scene ii
- [Act II,] Scene iii
- Act III, Scene i
- [Act III,] Scene ii
- [Act III,] Scene iii
- Act IV, Scene i
- [Act IV,] Scene ii
- [Act IV,] Scene iii
- Act V, Scene i
- [Act V,] Scene ii
- [Act V,] Scene iii
- APPENDIX
- In a maiden time profess’d
- Come Away, Hecate!
- Notes
- Thomas Holmes, Esquire
- Act I, Scene i
- [Act I,] Scene ii
- Act II, Scene i
- [Act II,] Scene ii
- [Act II,] Scene iii
- Act III, Scene i
- [Act III,] Scene ii
- [Act III,] Scene iii
- Act IV, Scene i
- [Act IV,] Scene ii
- Act IV Scene iii
- Act V, Scene i
- [Act V,] Scene ii
- [Act V,] Scene iii
- Appendix
- Footnotes
| HECATE | |
| Give me marmaritin, some bear-breech. When? | |
| FIRESTONE | |
| Here’s bear-breech and lizard’s brain forsooth. | |
| HECATE | |
| Into the vessel – | |
| And fetch three ounces of the red-haired girl | 55 |
| I killed last midnight. | |
| FIRESTONE Whereabouts, sweet mother? | |
| HECATE | |
| Hip; hip or flank. Where is the acopus? | |
| FIRESTONE | |
| You shall have acopus forsooth. | |
| HECATE | |
| Stir, stir about, whilst I begin the charm. | |
| A charm song about a vessel | |
| Black spirits and white, red spirits and grey, | 60 |
| Mingle, mingle, mingle, you that mingle may. | |
| Titty, Tiffin, keep it stiff in. | |
| Fire-drake, Puckey, make it lucky. | |
| Liard, Robin, you must bob in. | |
| Round, around, around, about, about – | 65 |
| All ill come running in, all good keep out! | |
| [STADLIN] | |
| Here’s the blood of a bat. | |
| HECATE | |
| Put in that, oh put in that. | |
| [HOPPO] | |
| Here’s libbard’s bane. | |
| HECATE | |
| Put in a grain. | 70 |
| [STADLIN] | |
| The juice of toad, the oil of adder. | |
| [HOPPO] | |
| Those will make the younker madder. | |
| HECATE | |
| Put in – there’s all – and rid the stench. | |
| FIRESTONE | |
| Nay, here’s three ounces of the red-haired wench. | |
| ALL [THE WITCHES] | |
| Round, around, around, about, about – | 75 |
| All ill come running in, all good keep out! | |
| HECATE | |
| So, so, enough. Into the vessel with it. | |
| There’t hath the true perfection. I am so light | |
| At any mischief – there’s no villainy | |
| But is a tune methinks. | 80 |
| FIRESTONE | |
| [Aside] A tune! ’Tis to the tune of damnation then, I | |
| warrant you, and that song hath a villainous burden. | |
| HECATE | |
| Come, my sweet sisters; let the air strike our tune, | |
| Whilst we show reverence to yond peeping moon. | |
| Here they dance the witches’ dance and exeunt |
[Act V,] Scene iii
Enter L[ORD] GOVERNOR, ISABELLA, FLORIDA, FRANCISCA, ABERZANES, GASPERO, [SEBASTIAN as CELIO, SERVANTS]
| ISABELLA | |
| My lord, I have given you nothing but the truth | |
| Of a most plain and innocent intent. | |
| My wrongs being so apparent in this woman – | |
| A creature that robs wedlock of all comfort | |
| Where’er she fastens – I could do no less | 5 |
| But seek means privately to shame his folly. | |
| No farther reached my malice – and it glads me | |
| That none but my base injurer is found | |
| To be my false accuser. | |
| GOVERNOR This is strange, | |
| That he should give the wrongs yet seek revenge. | 10 |
| [To SEBASTIAN] But, sirrah, you – you are accused here doubly: | |
| First, by your lady, for a false intelligence | |
| That caused her absence, which much hurts her name, | |
| Though her intents were blameless: next, by this woman, | |
| For an adulterous design and plot, | 15 |
| Practised between you to entrap her honour, | |
| Whilst she, for her hire, should enjoy her husband. | |
| Your answer? | |
| SEBASTIAN Part of this is truth, my lord, | |
| To which I’m guilty in a rash intent, | |
| But clear in act – and she most clear in both, | 20 |
| Not sanctity more spotless. |
[Enter HERMIO]