Chapters (43)
- Cover Page
- The Witch
- ACKNOWLEDGEMENTS
- ABBREVIATIONS
- INTRODUCTION
- FURTHER READING
- The Witch
- [DRAMATIS PERSONAE]
- THE WITCH
- [Act I,] Scene ii
- Act II, Scene i
- [Act II,] Scene ii
- [Act II,] Scene iii
- Act III, Scene i
- [Act III,] Scene ii
- [Act III,] Scene iii
- Act IV, Scene i
- [Act IV,] Scene ii
- [Act IV,] Scene iii
- Act V, Scene i
- [Act V,] Scene ii
- [Act V,] Scene iii
- APPENDIX
- In a maiden time profess’d
- Come Away, Hecate!
- Notes
- Thomas Holmes, Esquire
- Act I, Scene i
- [Act I,] Scene ii
- Act II, Scene i
- [Act II,] Scene ii
- [Act II,] Scene iii
- Act III, Scene i
- [Act III,] Scene ii
- [Act III,] Scene iii
- Act IV, Scene i
- [Act IV,] Scene ii
- Act IV Scene iii
- Act V, Scene i
- [Act V,] Scene ii
- [Act V,] Scene iii
- Appendix
- Footnotes
28 The raised position of the s.h. FIRESTONE in MS means that the whole line is often attributed to him.
panax panacea, all-heal
pan socket, as of the thigh bone or knee cap, or short for ‘brain pan’ or skull
29 selago club moss
30 Hedge-hyssop medicinal plant
32 moon-calf congenital idiot
37 noise company or band of musicians
38 there ed. (they MS)
39–80 Come away … reach also used in Macbeth III.v.33 s.d. (see Introduction, pp. xii, xiv-xvi). See Appendix for music. Several of these lines are not attributed in MS, and any of the witches or Malkin have a claim to them. Malkin has to sing/mew some of them in a cat-like voice (easy enough with ‘muse’, ‘refuse’) for 11. 61–2 to make sense.
50 s.d. descends As with the later ascent with Hecate, this is a spectacular effect, but easily achievable in the Jacobean playhouse, where there was a winch in the roof which overhung the stage.
51 coll See I.ii.29.
61–2 her own language According to V.ii.31 this would be French. ‘Oui’ was thought to sound like a cat miaowing.
65 dainty precious
68 toy pet
Compare this line with I.ii.28–9.
70 mistress’ fountains The moon (Diana, the goddess Hecate) affects the seas and controls fountains. Davenant has ‘misty’.
71 steeples ed. (Steepe MS) See also the description of the witches flying at I.ii.22.
77–80 In MS the repeated lines are indicated by ‘No Ring of Bells &c.’
Act IV, Scene i
1 endued endowed
3 rub out erase, do without
5 formal according to form, but also suggesting the forms students were divided into according to proficiency. The ability to be merry without supper would be an asset because of student poverty.
6 lunary lunatic, affected by the moon
7–9 I know … brimstone Cf. Hamlet II.ii.378–9. Almachildes claims he can distinguish between things which are habitually closely associated.
8 aqua-vitae literally water of life, but also strong revivifying spirits such as whisky or brandy
8–9 wild-fire a name for erysipelas and other inflammatory diseases which spread easily
9 beadle parish constable
brimstone sulphur, also hellfire
10 She reckoning a hint that the duke may not be dead
15 ‘A fair … hair-bracelets’ love tokens made from a lover’s hair. Almachildes parodies moralistic play titles such as Heywood’s A Warning for Fair Women.
20 rudeness roughness, ignorance
stranger foreigner
24 crosses thwartings, frustrations
28 Goes … heaven is on a course to heaven, i.e. trusting the duchess will send him to hell
29 ’em the people
39 take… me feign a great grief
44 spoon-meat soft or liquid food taken with a spoon especially by infants or invalids, believed to have been used to poison Sir Thomas Overbury
49 sway and countenance be a commanding presence
51 beck gesture
52–3 Again the assumption is that ‘great’ people get away with murder.
53 popular of the common people
65 rankness excess in numbers and indiscipline or corruption. Regular war could be seen as healthy for a state; see Coriolanus IV.v.218–32.
70 that blessing her love
75 up risen up in rebellion
79 Cf. Hamlet I.ii. 10–13, King Lear IV.iii.17ff.
81 ensign sign, token