Chapters (43)
- Cover Page
- The Witch
- ACKNOWLEDGEMENTS
- ABBREVIATIONS
- INTRODUCTION
- FURTHER READING
- The Witch
- [DRAMATIS PERSONAE]
- THE WITCH
- [Act I,] Scene ii
- Act II, Scene i
- [Act II,] Scene ii
- [Act II,] Scene iii
- Act III, Scene i
- [Act III,] Scene ii
- [Act III,] Scene iii
- Act IV, Scene i
- [Act IV,] Scene ii
- [Act IV,] Scene iii
- Act V, Scene i
- [Act V,] Scene ii
- [Act V,] Scene iii
- APPENDIX
- In a maiden time profess’d
- Come Away, Hecate!
- Notes
- Thomas Holmes, Esquire
- Act I, Scene i
- [Act I,] Scene ii
- Act II, Scene i
- [Act II,] Scene ii
- [Act II,] Scene iii
- Act III, Scene i
- [Act III,] Scene ii
- [Act III,] Scene iii
- Act IV, Scene i
- [Act IV,] Scene ii
- Act IV Scene iii
- Act V, Scene i
- [Act V,] Scene ii
- [Act V,] Scene iii
- Appendix
- Footnotes
| SEBASTIAN Look, there is she, sir, | |
| One good for nothing but to make use of – | |
| And I’m constrained to employ her to make all things | |
| Plain, easy and probable. For when she comes | 25 |
| And finds one here that claims him, as I’ve taught | |
| Both this to do’t and she to compound with her, | |
| ’Twill stir belief the more of such a business. | |
| FERNANDO | |
| I praise the carriage well. | |
| SEBASTIAN [To FLORIDA] Hark you, sweet mistress, | |
| I shall do you a simple turn in this – | 30 |
| For she disgraced thus, you are up in favour | |
| For ever with her husband. | |
| FLORIDA That’s my hope sir; | |
| I would not take the pains else. Have you the keys | |
| Of the garden-side that I may get betimes in | |
| Closely and take her lodging? | |
| SEBASTIAN Yes, I have thought upon you. | 35 |
| Here be the keys. [Gives keys] | |
| FLORIDA Marry and thanks, sweet sir. | |
| Set me a-work so still. | |
| SEBASTIAN [Aside] Your joys are false ones; | |
| You’re like to lie alone. You’ll be deceived | |
| Of the bedfellow you look for – else my purpose | |
| Were in an ill case. He’s on his fortnight’s journey; | 40 |
| You’ll find cold comfort there; a dream will be | |
| Even the best market you can make tonight. | |
| [To FLORIDA] She’ll not be long now; you may lose no time neither; | |
| If she but take you at the door, ’tis enough. | |
| When a suspect doth catch once, it burns mainly. | 45 |
| There may you end your business and as cunningly | |
| As if you were i’th’chamber, if you please | |
| To use but the same art. | |
| FLORIDA What need you urge that | |
| Which comes so naturally I cannot miss on’t? | |
| What makes the devil so greedy of a soul | 50 |
| But ’cause he’s lost his own, to all joys lost? | |
| So ’tis our trade to set snares for other women | |
| ’Cause we were once caught ourselves. [Exit] | |
| SEBASTIAN A sweet allusion! | |
| Hell and a whore it seems are partners then | |
| In one ambition. Yet thou’rt here deceived now; | 55 |
| Thou canst set none to hurt or wrong her honour – | |
| It rather makes it perfect. [He embraces FERNANDO] Best of friends, | |
| That ever love’s extremities were blessed with, | |
| I feed mine arms with thee and call my peace | |
| The offspring of thy friendship. I will think | 60 |
| This night my wedding-night, and with a joy | |
| As reverend as religion can make man’s, | |
| I will embrace this blessing. Honest actions | |
| Are laws unto themselves and that good fear | |
| Which is on others forced, grows kindly there. | 65 |
[Knocking within]
| FERNANDO | |
| Hark, hark! One knocks. Away sir; ’tis she certainly. | |
| It sounds much like a woman’s jealous ’larum. | |
| [Exit SEBASTIAN] |
Enter ISABELLA