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Chapters (61)
  1. Cover
  2. PRAISE FOR The Wild Ones
  3. Title Page
  4. Dedication
  5. Epigraph
  6. The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
  7. An Introduction; Hold On to Your Hats.
  8. The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
  9. Paheli: The Vagrant Experiences of a Mango Addict
  10. Cotton Candy Sugar Screams
  11. From the Book of MEMORIES
  12. “Will You Walk into My Parlor?” Said the Spider to the Fly.
  13. The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
  14. From the Book of MEMORIES
  15. I.
  16. The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
  17. Paheli: An Interlude in Blue
  18. Besieged in the Between
  19. Tea, the City of Stairs, and the Story of a Boy
  20. From the Book of MEMORIES
  21. Heartbreak, Stone Buildings, and Tandoori
  22. Observations, Conversations, and Hot Parantha
  23. Paheli: The Spies Who Came In from the Between
  24. From the Book of MEMORIES
  25. The French Quarter, the Spanish Half, and Eulalie
  26. Paheli: The Eggplant Overture
  27. Sunny Jelly Beans, Po’Boys, and “Alouette”
  28. From the Book of MEMORIES
  29. The Keeper of the Green and the Mysteries of Magic
  30. Blood and the Between
  31. The Library of the Lost and the Stories of the Silenced
  32. Walking in Wicked Ways or The Importance of Balık Ekmek
  33. From the Book of MEMORIES
  34. Looking for the Needle in the Haystack
  35. Paheli: The Peculiar Crackle in the Electricity
  36. Ten Degrees Past Despair
  37. The Fault in the Stars
  38. The Blue City in the Mountains
  39. Paheli: Disharmony in the Attics
  40. From the Book of MEMORIES
  41. Paheli: Continued
  42. The Politics of a Body, the Politics of Pleasure
  43. The Medina, the Riad, and the Red City
  44. Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
  45. From the Book of MEMORIES
  46. Souks, Spices, and Survival: A Guide into Chaos
  47. Jemaa el-Fna: The Mosque at the End of the World
  48. Paheli: A Moment in Chartreuse
  49. From the Book of MEMORIES
  50. Paheli: On the Frailties of the Heart
  51. Sonagi, or A Sudden Rain
  52. Paheli: The Cheese in the Trap
  53. Paheli: The Maze and the Minotaur
  54. A New Era, a New Dar; the River Sings
  55. The Burning Door, the Fallen City, and Taraana 2.0
  56. Paheli: The Beginning of Forever
  57. From the Book of MEMORIES
  58. Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
  59. Acknowledgments
  60. More from the Author
  61. About the Author

I look at my sisters and they look back at me; their confidence in me scares me, but I take a breath and walk into the alley. There are walls around us, so we can retreat to the Between in case of danger, but I prepare a scream anyway. We all tense when a low, masculine laugh reaches us. Talei sucks in a breath and clenches her fist. I realize my mouth is open and the scream is building in my throat.

I close my mouth. We all have nightmares. Ours are just a bit realer.

“Let’s go.” I put on my most brazen mask and stride ahead, determined not to let the fear have me. I will not be afraid.

I enter the first teahouse we come to, and my sisters follow. It is a tiny place; there are only five small tables inside, and all of them are occupied by middle worlders who bless us with their attention.

We could have done without their blessing. The proprietor has eyes found more often in a snake. I hold his stare for a long moment before he suddenly breaks into a smile I find more disturbing.

“I’m afraid you will have to wait for a table,” he says. He has a snake’s tongue, so his voice curves around his letters in interesting ways.

“I am not here for tea,” I tell him politely. “Is there someone called Tabassum Naaz here?” I pitch my voice so the patrons of the teahouse can hear.

“You will find her next door,” a not-human boy says. He has red eyes. There are flowers blooming under his light green skin. I nod a thank-you at him, and we leave without making eye contact with anyone else.

The teahouse next door is a bit larger and more welcoming than the first one. Warm gold light pours out from a chandelier dangling low in the middle of the room. The corners are covered in dark, but the middle seating area is cozy. The patrons of this teahouse seem to be younger and more human-shaped. Music hums in the background, providing an accompaniment to the many conversations occurring simultaneously.

The proprietor has a welcoming smile that fades slightly when she sees us. But she recovers her composure and waves us toward a recently vacated spot in a darker corner of the room. We sit down, keeping our eyes to ourselves at least until we are settled in with cups of mint tea into which we have added liberal amounts of sugar.

“There,” Valentina says, her eyes trained on her cup. “That girl bears a resemblance to Baarish.”