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Chapters (61)
  1. Cover
  2. PRAISE FOR The Wild Ones
  3. Title Page
  4. Dedication
  5. Epigraph
  6. The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
  7. An Introduction; Hold On to Your Hats.
  8. The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
  9. Paheli: The Vagrant Experiences of a Mango Addict
  10. Cotton Candy Sugar Screams
  11. From the Book of MEMORIES
  12. “Will You Walk into My Parlor?” Said the Spider to the Fly.
  13. The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
  14. From the Book of MEMORIES
  15. I.
  16. The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
  17. Paheli: An Interlude in Blue
  18. Besieged in the Between
  19. Tea, the City of Stairs, and the Story of a Boy
  20. From the Book of MEMORIES
  21. Heartbreak, Stone Buildings, and Tandoori
  22. Observations, Conversations, and Hot Parantha
  23. Paheli: The Spies Who Came In from the Between
  24. From the Book of MEMORIES
  25. The French Quarter, the Spanish Half, and Eulalie
  26. Paheli: The Eggplant Overture
  27. Sunny Jelly Beans, Po’Boys, and “Alouette”
  28. From the Book of MEMORIES
  29. The Keeper of the Green and the Mysteries of Magic
  30. Blood and the Between
  31. The Library of the Lost and the Stories of the Silenced
  32. Walking in Wicked Ways or The Importance of Balık Ekmek
  33. From the Book of MEMORIES
  34. Looking for the Needle in the Haystack
  35. Paheli: The Peculiar Crackle in the Electricity
  36. Ten Degrees Past Despair
  37. The Fault in the Stars
  38. The Blue City in the Mountains
  39. Paheli: Disharmony in the Attics
  40. From the Book of MEMORIES
  41. Paheli: Continued
  42. The Politics of a Body, the Politics of Pleasure
  43. The Medina, the Riad, and the Red City
  44. Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
  45. From the Book of MEMORIES
  46. Souks, Spices, and Survival: A Guide into Chaos
  47. Jemaa el-Fna: The Mosque at the End of the World
  48. Paheli: A Moment in Chartreuse
  49. From the Book of MEMORIES
  50. Paheli: On the Frailties of the Heart
  51. Sonagi, or A Sudden Rain
  52. Paheli: The Cheese in the Trap
  53. Paheli: The Maze and the Minotaur
  54. A New Era, a New Dar; the River Sings
  55. The Burning Door, the Fallen City, and Taraana 2.0
  56. Paheli: The Beginning of Forever
  57. From the Book of MEMORIES
  58. Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
  59. Acknowledgments
  60. More from the Author
  61. About the Author

The sidewalks are full of humans and middle worlders, so we walk in groups of two and three with Taraana and Paheli at the forefront. With Miray’s glasses on, Taraana looks like any other exceptionally beautiful eighteen-year-old. Thanks to us, he is smartly dressed. He walks with his hands in his pockets and his shoulders stiff, ready for the world to bare its teeth at him at any second.

We spent most of last night at a hair salon. We weren’t solely following our whims, though a large part, we don’t deny, was indulgence. Our changing facades function as disguises in case Baarish has managed to lay his hands on our descriptions. Apart from Taraana—we couldn’t convince him to color his hair, as he is a bit of a purist where some things are concerned—we all sport new dos that make this morning look brighter and us more colorful. Paheli’s waist-length hair is now a pale lavender, and she seems smitten with the way it looks.

“Do you remember that song that was popular a few years ago?” she said this morning while admiring herself in the mirror. “The one that made girls loving themselves sound bad?”

We did not. We have better taste in music.

“Humph,” she said when we told her as much. “It isn’t as if I like that song. It was just so difficult to avoid. I happen to love myself very much.”

We first look for our informant in the Hagia Sophia. Unlike the Greenich, our informant in Istanbul has no fixed location, which makes the business entirely inconvenient. He is not in the Blue Mosque, where Taraana is bedazzled by the domes and spires of the house of worship. Finally, we check Topkapı Palace and find him lingering in a courtyard there. He is sitting on the floor with his hands pressed to the ground and his eyes closed. Probably absorbing the magic in this place.

There are too many middle worlders around for us to approach him as a group without drawing unnecessary attention, so Paheli separates from us and sashays over to him. She sits down in front of him and waits until he opens his eyes. This middle worlder’s name—well, he calls himself Hizrat. He and Paheli have a history neither of them wants to talk about, but their bond is undeniable. Even if a long time passes between their meetings, they pick up the threads of their friendship and continue for however long we are in town. He is very tall and limber with curly black hair and eyes the color of the full moon. Though he looks to be no more than twenty, we know his years contain centuries.