Back The Wild Ones
Chapters (61)
  1. Cover
  2. PRAISE FOR The Wild Ones
  3. Title Page
  4. Dedication
  5. Epigraph
  6. The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
  7. An Introduction; Hold On to Your Hats.
  8. The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
  9. Paheli: The Vagrant Experiences of a Mango Addict
  10. Cotton Candy Sugar Screams
  11. From the Book of MEMORIES
  12. “Will You Walk into My Parlor?” Said the Spider to the Fly.
  13. The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
  14. From the Book of MEMORIES
  15. I.
  16. The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
  17. Paheli: An Interlude in Blue
  18. Besieged in the Between
  19. Tea, the City of Stairs, and the Story of a Boy
  20. From the Book of MEMORIES
  21. Heartbreak, Stone Buildings, and Tandoori
  22. Observations, Conversations, and Hot Parantha
  23. Paheli: The Spies Who Came In from the Between
  24. From the Book of MEMORIES
  25. The French Quarter, the Spanish Half, and Eulalie
  26. Paheli: The Eggplant Overture
  27. Sunny Jelly Beans, Po’Boys, and “Alouette”
  28. From the Book of MEMORIES
  29. The Keeper of the Green and the Mysteries of Magic
  30. Blood and the Between
  31. The Library of the Lost and the Stories of the Silenced
  32. Walking in Wicked Ways or The Importance of Balık Ekmek
  33. From the Book of MEMORIES
  34. Looking for the Needle in the Haystack
  35. Paheli: The Peculiar Crackle in the Electricity
  36. Ten Degrees Past Despair
  37. The Fault in the Stars
  38. The Blue City in the Mountains
  39. Paheli: Disharmony in the Attics
  40. From the Book of MEMORIES
  41. Paheli: Continued
  42. The Politics of a Body, the Politics of Pleasure
  43. The Medina, the Riad, and the Red City
  44. Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
  45. From the Book of MEMORIES
  46. Souks, Spices, and Survival: A Guide into Chaos
  47. Jemaa el-Fna: The Mosque at the End of the World
  48. Paheli: A Moment in Chartreuse
  49. From the Book of MEMORIES
  50. Paheli: On the Frailties of the Heart
  51. Sonagi, or A Sudden Rain
  52. Paheli: The Cheese in the Trap
  53. Paheli: The Maze and the Minotaur
  54. A New Era, a New Dar; the River Sings
  55. The Burning Door, the Fallen City, and Taraana 2.0
  56. Paheli: The Beginning of Forever
  57. From the Book of MEMORIES
  58. Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
  59. Acknowledgments
  60. More from the Author
  61. About the Author

It leads us to a warehouse at the very end of a line of warehouses. The faint murmur of voices alerts us as we approach the building. We slow our steps and creep into the shadows cast by the empty warehouse right next to it. There are middle worlders standing at the entrance to that warehouse, watching something on their phones and blocking the way in. Though they are situated as guards, there’s a marked lack of caution against anyone trying to infiltrate the area. I, of course, have to take advantage of this carelessness.

We move soundlessly into the alley between the two buildings and through it to the back of the warehouse. To our surprise, an unguarded small door is propped open at the back, perhaps to ease the heat inside. Signaling to Widad to stay behind, I slip through the door and into the warehouse. If I am seen, things will get troublesome. There’s no easy entry to the Between here. I could end up a prisoner, and Valentina will be forced to rescue me before she kills me.

What’s living without risks?

I blink in the dark interior. At first all I see are shadows, abstract colors, which then coalesce into cages on the uncovered cement floor, containing children, mostly girls, but some boys, too. Naked light bulbs dangle from the ceiling, barely illuminating the large space. As far as I can see, there are five children crammed in each cage. Their faces are streaked with tears, and their clothes are dirty and torn. They are skin stretched tightly over bones. Their eyes…

Have you ever seen eyes without hope, without life?

This is not the first time I have seen children stripped of their humanity and locked up as products for sale. It probably won’t be the last, either. But every single time I come across something like this, I lose a little of myself.

Baarish, dressed up and hiding the monster inside, is walking around the warehouse, inspecting the cages and nodding in approval. His son preens beside him. Are the children inside invisible to him? How much of yourself do you have to lose to become this evil?