Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
It leads us to a warehouse at the very end of a line of warehouses. The faint murmur of voices alerts us as we approach the building. We slow our steps and creep into the shadows cast by the empty warehouse right next to it. There are middle worlders standing at the entrance to that warehouse, watching something on their phones and blocking the way in. Though they are situated as guards, there’s a marked lack of caution against anyone trying to infiltrate the area. I, of course, have to take advantage of this carelessness.
We move soundlessly into the alley between the two buildings and through it to the back of the warehouse. To our surprise, an unguarded small door is propped open at the back, perhaps to ease the heat inside. Signaling to Widad to stay behind, I slip through the door and into the warehouse. If I am seen, things will get troublesome. There’s no easy entry to the Between here. I could end up a prisoner, and Valentina will be forced to rescue me before she kills me.
What’s living without risks?
I blink in the dark interior. At first all I see are shadows, abstract colors, which then coalesce into cages on the uncovered cement floor, containing children, mostly girls, but some boys, too. Naked light bulbs dangle from the ceiling, barely illuminating the large space. As far as I can see, there are five children crammed in each cage. Their faces are streaked with tears, and their clothes are dirty and torn. They are skin stretched tightly over bones. Their eyes…
Have you ever seen eyes without hope, without life?
This is not the first time I have seen children stripped of their humanity and locked up as products for sale. It probably won’t be the last, either. But every single time I come across something like this, I lose a little of myself.
Baarish, dressed up and hiding the monster inside, is walking around the warehouse, inspecting the cages and nodding in approval. His son preens beside him. Are the children inside invisible to him? How much of yourself do you have to lose to become this evil?