Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
The city is waking up to a new day. We pause a minute, appreciate the heat already pronounced in the air, and then plunge into the chaos. The middle worlders whom we think safe are the ones we follow. Initially, they think us human and ignore us, but when we insist on talking to them, they realize we see them for what they are. Some of them question us, curious about who we are and what we’re doing in Agra. We give them nonanswers or elaborate lies.
We ask our own questions, like where to find the most delicious sabzi, which shops to go to, and, most importantly, who to be careful of in this city. We listen to what they say and we hear what they don’t.
Many middle worlders congregate in places thick with magic, and so we travel by rickshaw to monuments that serve as homages to human brilliance; we go to the Red Fort and spend a few hours walking around the Sheesh Mahal, wandering through the Anguri Bagh, and drinking in the hallowed splendor of Nagina Masjid. We find pockets of middle worlders, and all of them have something to say about Baarish. We do not even need to direct these conversations. These places we mention, though just words on a page to you, are steeped in history and memory. How can we hope to convey even a tiny bit of that to you? Due to the many lives lived and lost in these places, the magic is potent here, like deep wine. Those of the middle world who linger here are full to the point of spilling over from the power in these places. They speak far more easily than middle worlders hungry for magic would.
In a dim, crowded restaurant, over a silver thali containing little bowls of sambar, tamarind chutney, sabzi, and potato-stuffed parantha, we listen to a not-human girl tell us about Baarish’s grandsons (he has more than five) and her escape from them. It is not a pretty story, and she doesn’t dress it up as such. She shows us her scars.
On our way to yet another place with deep magical wells, we see a little human girl holding a broom in the doorway of a shop, staring at a bunch of giggling schoolchildren with such naked longing on her face that we pause, unsure how to respond. In the next moment, a woman comes and drags her inside by the ear.
In the late afternoon, we pass a market and we see a young woman holding plastic bags filled with groceries in one hand and a little baby in the other. Two little ones hang on to the pallu of her sari. She walks behind a man who swings his empty hands while walking, whistling as he ogles the women he passes.
When the sun fades into red streaks in the sky, we return to the hotel.