Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
The second, third, and fourth floors of the kotha were the domain of the tawaifs. The air in those rooms was infused with fragrances created exclusively for them.
What is a tawaif if not a whore? A tawaif, sisters, is a courtesan. She is well versed in the arts of conversation and seduction. She is schooled in music and dance, particularly the mujra. She sings ghazals and plays instruments. Her intellect is formidable and her beauty so divine that the moneyed nawabs paid fortunes to partake of it.
Not for her a dingy, dark room in a row of dingy, dark rooms on the first floor at the back of the kotha. She has a scented boudoir, decorated in silk and satin. Men seek pleasure from her; they do not simply satiate their lusts. Grace, elegance, and choice: a tawaif has them all.
I grew up learning to keep my eyes cast down lest I be the recipient of unsavory notice from my mother’s clients. I never left the kotha; I wasn’t allowed to. Girl children are tender morsels to those whose hunting grounds are the city’s pavements. There were other children in the kotha—some were even my friends—but our first loyalty was to our mothers, and our mothers were often embroiled in complicated feuds with each other. Though the kotha was always full of people, I sometimes went days without speaking to a single person.
My mother’s face had been disfigured by a childhood illness, which made her dream of being a tawaif precisely that: a dream. Still, the sisterhood in the kotha was not exclusive, and the women would have enfolded her within its arms had my mother been a nicer person. She wasn’t, though. She wasn’t nice at all. So, she was reviled around the kotha, and the only reason the Malkin, the owner of the kotha, tolerated my mother was because she liked me.
I grew up on scraps of attention thrown my way by the various whores on the first floor. The second, third, and fourth levels of the kotha were forbidden to us children unless we were sent on errands. My mother mostly kept me in that windowless room that served as home, apart from the time she worked. Those hours, from five in the afternoon to two in the morning, I was left to my own devices. When I was young, my mother paid a kitchen maid to take care of me, but after I turned five, I was deemed old enough to look after myself.