Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
A girl, about seventeen, is not quite hidden in the shadows of an oleander tree. Her face is damp with tears. The area is deserted of all other humans, but we’re sure there are a few middle worlders here. A place this thick with magic would not be overlooked by them. We look to Paheli; do we listen to this girl’s story or do we keep moving? The world is full of crying girls, and though we try, we cannot listen to all of them.
Paheli steps forward and at her signal, we shimmer into visibility. She clears her throat. The girl looks up, sees us, and opens her mouth as if her first instinct is to scream. We tend to evoke that reaction in people. In the end, she contains herself and looks at us with wide eyes as if not understanding how we came upon her so suddenly.
“Who are you?” she whispers in Arabic.
“That is not yet important,” Paheli responds in kind. “Why are you crying?”
At the reminder, the girl’s eyes fill with tears again. Angrily, she wipes them away. “What does it matter to you if I cry?”
“Why shouldn’t it matter to us?” Ligaya demands hotly. “Wouldn’t you ask someone who is crying why they are grieved?”
“Is it so odd that we might be moved to offer you aid?” Etsuko asks, raising an eyebrow.
“Why would you help me?” the girl spits out. “Even my family has no time for me. Why would strangers care?”
“Because we can,” Paheli replies. “You are, of course, welcome to reject our help. If you do not wish us to intrude upon your pain, we will leave now.” We turn to go.
“Wait!” the girl calls out. We knew she would. “Don’t laugh, okay?” She tries to glare at us, but the tears in her eyes ruin the effect. “I have a dream. It’s not a particularly impressive one, but it’s mine.” Her voice slips into a whisper. “I’m good at studying. My grades are excellent. I was at the top of the school the last exam, and my teachers say I will easily get into a top university in Beirut, but my father, he insists on sending my brother to university instead. My brother, who spends his time hanging out with his friends, playing pool instead of attending school. Him.” She laughs bitterly. “We only have enough money for one of us to go, and it should obviously be me, but my father, he says that a girl is like spilled milk when married, so he sees no point in investing in me. And my mother, who should understand me best, says that if I win in this, I will start wanting other things. Why is it so wrong to want things? Why is it so wrong to win in things?” She looks at us. “Is it because I’m a girl?”