Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
The city is healing, true, but like us, she is wary and always prepared for the pain to begin anew. A tension simmers in moments. Questions rise with the sun every morning. Will there be blood spilled today? Will the streets echo with the sound of gunshots? Or will the city witness the fanaticism of a suicide bomber? Or suffer the consequences of a corrupt government?
Graffiti, bold and beautiful, covers the walls of abandoned and inhabited buildings. The street art is defiant, seeking to reclaim the city from those who would see her burn again. Li Beirut, as the singer Fairouz names the city, is no maiden who hides her blushing face. She is an embattled matriarch, looking the world in the eyes, daring it to look away.
We look around as we walk, catching glimpses of the middle world here and there. That glint you see in the corner of your eye or that time you thought you saw something move in the shadows is the middle world. The store you swore you had never seen before, or the alley that springs up suddenly one day only to be gone the next. Human beings are, as a rule, completely blind to the middle world. Even when they see middle worlders who are not at all human-looking, their brains normalize whatever they are seeing. They are unable to see the true selves of middle worlders unless the middle worlders want them to.
The antiques store on Hamra Street is full of shadows, dust, and memories. Each item in the store contains the memory of an experience. Should a consumer purchase one, they will be able to relive the experience as if they were the one it occurred to. In Beirut, all memories smell of smoke and have the taste of tears. We once asked the proprietor, Idrees, about the kind of people who purchase the sad memories. He told us that there are beings in the world who desire to remember what sadness feels like because it is during emotional turbulence that a person is most alive.
Idrees is out in the front when we enter. A seemingly frail not-human man, his white beard and stooped figure hide the strength in his body. He glances over at us without saying anything before returning his attention to the customer he is currently serving. We look at her and she turns, as if sensing our gazes.
Not a single word is spoken, but the air suddenly takes on an electric charge. We draw close to each other and to Paheli, the sun around which we orbit.