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Chapters (61)
  1. Cover
  2. PRAISE FOR The Wild Ones
  3. Title Page
  4. Dedication
  5. Epigraph
  6. The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
  7. An Introduction; Hold On to Your Hats.
  8. The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
  9. Paheli: The Vagrant Experiences of a Mango Addict
  10. Cotton Candy Sugar Screams
  11. From the Book of MEMORIES
  12. “Will You Walk into My Parlor?” Said the Spider to the Fly.
  13. The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
  14. From the Book of MEMORIES
  15. I.
  16. The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
  17. Paheli: An Interlude in Blue
  18. Besieged in the Between
  19. Tea, the City of Stairs, and the Story of a Boy
  20. From the Book of MEMORIES
  21. Heartbreak, Stone Buildings, and Tandoori
  22. Observations, Conversations, and Hot Parantha
  23. Paheli: The Spies Who Came In from the Between
  24. From the Book of MEMORIES
  25. The French Quarter, the Spanish Half, and Eulalie
  26. Paheli: The Eggplant Overture
  27. Sunny Jelly Beans, Po’Boys, and “Alouette”
  28. From the Book of MEMORIES
  29. The Keeper of the Green and the Mysteries of Magic
  30. Blood and the Between
  31. The Library of the Lost and the Stories of the Silenced
  32. Walking in Wicked Ways or The Importance of Balık Ekmek
  33. From the Book of MEMORIES
  34. Looking for the Needle in the Haystack
  35. Paheli: The Peculiar Crackle in the Electricity
  36. Ten Degrees Past Despair
  37. The Fault in the Stars
  38. The Blue City in the Mountains
  39. Paheli: Disharmony in the Attics
  40. From the Book of MEMORIES
  41. Paheli: Continued
  42. The Politics of a Body, the Politics of Pleasure
  43. The Medina, the Riad, and the Red City
  44. Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
  45. From the Book of MEMORIES
  46. Souks, Spices, and Survival: A Guide into Chaos
  47. Jemaa el-Fna: The Mosque at the End of the World
  48. Paheli: A Moment in Chartreuse
  49. From the Book of MEMORIES
  50. Paheli: On the Frailties of the Heart
  51. Sonagi, or A Sudden Rain
  52. Paheli: The Cheese in the Trap
  53. Paheli: The Maze and the Minotaur
  54. A New Era, a New Dar; the River Sings
  55. The Burning Door, the Fallen City, and Taraana 2.0
  56. Paheli: The Beginning of Forever
  57. From the Book of MEMORIES
  58. Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
  59. Acknowledgments
  60. More from the Author
  61. About the Author

The city is healing, true, but like us, she is wary and always prepared for the pain to begin anew. A tension simmers in moments. Questions rise with the sun every morning. Will there be blood spilled today? Will the streets echo with the sound of gunshots? Or will the city witness the fanaticism of a suicide bomber? Or suffer the consequences of a corrupt government?

Graffiti, bold and beautiful, covers the walls of abandoned and inhabited buildings. The street art is defiant, seeking to reclaim the city from those who would see her burn again. Li Beirut, as the singer Fairouz names the city, is no maiden who hides her blushing face. She is an embattled matriarch, looking the world in the eyes, daring it to look away.

We look around as we walk, catching glimpses of the middle world here and there. That glint you see in the corner of your eye or that time you thought you saw something move in the shadows is the middle world. The store you swore you had never seen before, or the alley that springs up suddenly one day only to be gone the next. Human beings are, as a rule, completely blind to the middle world. Even when they see middle worlders who are not at all human-looking, their brains normalize whatever they are seeing. They are unable to see the true selves of middle worlders unless the middle worlders want them to.

The antiques store on Hamra Street is full of shadows, dust, and memories. Each item in the store contains the memory of an experience. Should a consumer purchase one, they will be able to relive the experience as if they were the one it occurred to. In Beirut, all memories smell of smoke and have the taste of tears. We once asked the proprietor, Idrees, about the kind of people who purchase the sad memories. He told us that there are beings in the world who desire to remember what sadness feels like because it is during emotional turbulence that a person is most alive.

Idrees is out in the front when we enter. A seemingly frail not-human man, his white beard and stooped figure hide the strength in his body. He glances over at us without saying anything before returning his attention to the customer he is currently serving. We look at her and she turns, as if sensing our gazes.

Not a single word is spoken, but the air suddenly takes on an electric charge. We draw close to each other and to Paheli, the sun around which we orbit.