Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
I stop in the thin alley I came out in and rethink my decision to return to the girls and Taraana. I can still run away from him. He must be one or two degrees over angry. How will I face his anger? I halt my steps and look down at my hands. They are not covered in blood, but they may as well be.
That moment on the rooftop in Marrakech. How could I hug Taraana when I don’t deserve his embrace? What if I sully him? What if I don’t go back? What if I turn around and go back to the Between and—the thought of never seeing Taraana again terrifies me, and the fact that I’m terrified terrifies me.
I am a mess. You heard it here first.
I take a deep breath and feel the cold air cool my insides. Okay. I won’t think about all of this here in this stinky alley. I most certainly won’t have a breakdown here. I put my chin up and start walking again. We chose Gamcheon Culture Village as the location for our safe house for one simple reason: the area is young enough to deter other middle worlders from settling here. The magic here is too thin to sustain them for long, but it is old enough to easily keep us.
I follow the road for a bit before turning from it to climb the first of several flights of stairs. The corners are hairy and the going difficult, but I make it through with minimal wheezing. Finally, I make it to a house with bright pink walls and an equally bright blue roof.
Gamcheon Culture Village started life as a slum, flooded with refugees fleeing the Korean War. A government initiative turned this town built on the side of a mountain into a tourist destination. All the houses here are painted in happy colors reminiscent of a pastel rainbow, and that is just the first and most obvious way the place was transformed. The walls feature murals or graffiti art; the stairs are decorated with paintings. Art installations invite tourists to take pictures, and small cafés do brisk business serving visitors who need a place to sit down and recover from the many steep hills and stairs that compose the town.