Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
One square, just a little ways from the line of carts selling freshly squeezed orange juice, remains deserted. No locals venture there. If they have to pass by, they will go around it, keeping a solid distance between it and them. Tourists who stumble into the space leave hurriedly, often with ashen faces. Local middle worlders won’t cross it. They have learned not to.
To understand what makes the little piece of the square so vile to both middle worlders and humans alike, you have to understand the history of the Jemaa el-Fna. Particularly the part where it was used as execution grounds. The blood spilled in the square not only gives the magic here an incarnadine flavor, but it also makes the place thick with ghosts.
Ghosts are not common, but neither are they the impossibilities human science labels them as. Any place where emotions are spent in excess becomes fertile ground for ghosts. If the magic in the place is enough to sustain them, they will exist. Usually the magic isn’t, but here, it is.
Most of the ghosts lingering in the square are benign, barely held together by some unfulfilled wish or unspoken desire. They are wisps who only require one strong gust of will to dissipate. They have no anchors, so they grow no roots. That is not the case with Farah.
To call her a ghost seems like an insult to the strength of her being, but in the end, that is what she is. I met her, if one can meet ghosts, one afternoon when the storm inside of me was raging harder than the storm outside in the square. The pain, which constructs her, which binds her to this world long after everything she was, has decayed away, seems like a distant echo of mine. She lost her heart and then her life with scarcely a pause between the two. She was betrayed first by her father and then by her husband. Two things remain of her: her name, which she holds on to tightly, and her anger, which she grasps even tighter. She haunts the little piece of the square on which she was executed and exacts a payment from anyone who is unlucky enough to step into the space. She causes humans pain and rips the magic from middle worlders. She doesn’t kill them, but without magic, they might as well be dead. She is not searching for absolution; she has no wish to move on to anywhere.
What she and I have is not friendship, not exactly. You cannot be friends with a ghost. What we have is an understanding, a common language that we both speak. A language that anyone who has been violated and known fear speaks.