Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
We walk around the stalls for a while before choosing one filled with locals. Dinner is a fantastic explosion of intense flavors, and entirely satisfying. After the meal, we get cups of mint tea and start to navigate our way through the crowd.
It is Ghufran who first notices the men. She doesn’t speak much, our Ghufran, but you will never find anyone more observant than her. She plucks at Paheli’s sleeve, and when Paheli turns to her, she whispers in her ear. Paheli doesn’t miss a beat. She doesn’t react visibly at all to Ghufran’s words but turns slightly so she can look at the men following us. There is nothing specifically conspicuous about them; they are not giving us any more attention than others are. Still, there is the way they don’t look at us but still manage to be everywhere we go. Though Ghufran remains the most damaged amongst us, we all have sung the song she sings, and in these men, we recognize the notes of that dreaded music.
We move so Taraana is snug in the middle; they will need to get us out of the way to reach him. We are assuming it is him they want and not us. Well, they will have to work harder if they want us. We have more thorns than Taraana does. Paheli and Valentina look at each other for a long, silent moment. Have they prepared for this inevitability? It seems like we are going to find out.
We are in the middle of the Jemaa el-Fna with no walls immediately at hand, so we can’t run into the Between. The nearest uninterrupted wall is about ten minutes way, more if the crowds get thicker. Since magic doesn’t work on us, will Baarish’s men resort to violence? Can they, in the middle of this crowded square? Can we trust them not to?
Well, of course not.
We pass a man with three chained monkeys trained to do tricks. The monkeys are pulling at their chains, and the owner keeps swatting at them. A possibility. Talei, moving so quickly she is but a blur, reaches in and opens their collars, setting them free. Ligaya throws her cup of tea at a passing tourist, while Areum bumps into two women carrying trays of oranges.
The monkeys take a moment to realize their freedom, then flee from their owner and jump onto shoulders. They steal food and throw fruits at people. The tourist with tea dripping down his face looks for someone to yell at. The women with the trays full of oranges wail at the loss of their goods. Someone swears. Someone else bumps into a crowd of people all carrying food and drinks. The moment turns to madness.