Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
She turns away after sniffing haughtily and starts walking faster, going ahead of us. “Let’s go see if that store still exists.” We follow quietly; it doesn’t take us long to reach the area where the store was located. Old craftsmen and women sit in tiny stalls squinting at the pieces they are working on. All of us are moved to buy something sparkling from each of the stalls we pass.
Suddenly, Paheli freezes and gestures for us to move back. We obey without hesitation, turning back and retracing our steps without changing our expressions or revealing any distress. Paheli doesn’t stop walking until we are at least a kilometer away from the area.
“What was it?” Valentina asks.
“The store was closed, and there were middle-world creatures wearing armor bearing an insignia of some sort, standing guard outside the emptied store,” she says with a frown on her face.
“Let’s just go and find the son of that conjurer from Chefchaouen. Wouldn’t he be our best bet?” Widad asks.
Paheli nods. “At this point, yeah.”
“Is that really a good idea?” Talei asks. “Perhaps one of us should accompany Taraana back—”
“I’m not leaving,” Taraana says with a particular set to his lips.
“Taraana,” Paheli says.
“No,” he replies.
Paheli sighs and gives us a look. We, understanding her unspoken request, immediately surround Taraana, hiding him in the center.
Old Mahmoud’s son, Farroukh, sells in Marrakech what his father used to sell in Chefchaouen: shiny silver pots and pans. The store is sizable; one side is dedicated to the pots and pans, and the other side sells drinks. We’re inured to surprise and accept the strange pairing.
Valentina orders us drinks, and while we wait to be served, we peruse a selection of trays on the side. Most are made from exquisitely carved wood with Moroccan landscapes painted on them. A large number feature the streets of Chefchaouen.
“Look,” Kamboja says, pointing to one. The scene painted on the tray is of the Chefchaouen street on which the store selling the conjuries was located. The tree with its branches spread is impossible to mistake. We look at the proprietor, a dark man of about forty years with a pleasant face and a gentle demeanor.
He notices our gaze and, smiling, walks over to us. “Is there something we can help you with?”
“This is going to sound strange,” Paheli says, “but did your father’s shop in Chefchaouen burn down the day before yesterday?”
The man’s face changes dramatically when he hears her question. His eyes narrow and his hands close into fists. “Did you have something to do with it?”
Paheli rolls her eyes. “Give my intelligence some credit. We are the ones who asked the grandmother to phone you to keep your father from returning home. Did you?”