Chapters (61)
- Cover
- PRAISE FOR The Wild Ones
- Title Page
- Dedication
- Epigraph
- The Beginning, or How Paheli Became the First Wild One; With a Cameo by Taraana, the Boy Made of Stars.
- An Introduction; Hold On to Your Hats.
- The Sweetness in the Sugarcane, or The Impractical Nature of Immortality
- Paheli: The Vagrant Experiences of a Mango Addict
- Cotton Candy Sugar Screams
- From the Book of MEMORIES
- “Will You Walk into My Parlor?” Said the Spider to the Fly.
- The Best Ice Cream in the World, Teddy Bears, and a Tree Creature.
- From the Book of MEMORIES
- I.
- The Reappearance of the Boy Made of Stars and the Plight of the Girl by the Oleander Lane.
- Paheli: An Interlude in Blue
- Besieged in the Between
- Tea, the City of Stairs, and the Story of a Boy
- From the Book of MEMORIES
- Heartbreak, Stone Buildings, and Tandoori
- Observations, Conversations, and Hot Parantha
- Paheli: The Spies Who Came In from the Between
- From the Book of MEMORIES
- The French Quarter, the Spanish Half, and Eulalie
- Paheli: The Eggplant Overture
- Sunny Jelly Beans, Po’Boys, and “Alouette”
- From the Book of MEMORIES
- The Keeper of the Green and the Mysteries of Magic
- Blood and the Between
- The Library of the Lost and the Stories of the Silenced
- Walking in Wicked Ways or The Importance of Balık Ekmek
- From the Book of MEMORIES
- Looking for the Needle in the Haystack
- Paheli: The Peculiar Crackle in the Electricity
- Ten Degrees Past Despair
- The Fault in the Stars
- The Blue City in the Mountains
- Paheli: Disharmony in the Attics
- From the Book of MEMORIES
- Paheli: Continued
- The Politics of a Body, the Politics of Pleasure
- The Medina, the Riad, and the Red City
- Paheli: The Atlas Mountains, the Cozy Rooftop, and the Confession, Possibly of Love
- From the Book of MEMORIES
- Souks, Spices, and Survival: A Guide into Chaos
- Jemaa el-Fna: The Mosque at the End of the World
- Paheli: A Moment in Chartreuse
- From the Book of MEMORIES
- Paheli: On the Frailties of the Heart
- Sonagi, or A Sudden Rain
- Paheli: The Cheese in the Trap
- Paheli: The Maze and the Minotaur
- A New Era, a New Dar; the River Sings
- The Burning Door, the Fallen City, and Taraana 2.0
- Paheli: The Beginning of Forever
- From the Book of MEMORIES
- Moving One Rock at a Time Will Eventually Move a Mountain, aka Goodbye
- Acknowledgments
- More from the Author
- About the Author
The private room is one of the few the café keeps reserved for the most affluent of their customers. Sumptuous rugs, tasteful wall hangings, and intimate light provide the perfect atmosphere for the narghile, or as the West refers to it, hookah. Chairs are set in a semicircle at the back of the room with a wide coffee table set in front of them. The narghile occupies the place of prominence on the table, though none of us, apart from Sevda, have acquired a taste for it.
Paheli is curled up beside Etsuko, fairly humming with nerves. Valentina sits beside Daraja, who is next to Etsuko. Taraana sits on the other side of Paheli, with Ghufran next to him and Widad next to her. Kamboja and Areum are too restless to sit and are playing chess set up in a corner. Sevda and Ligaya are standing over their game, giving them spectacularly unhelpful advice.
Talei shrugged when we asked her how the meeting last night went; we translated that particular shift of her shoulders to mean that no blood was spilled but the situation was tense. Talei’s shrugs are masterfully eloquent.
The designated hour arrives with the chiming of the clock on a wall in the room. We order some seriously sweet milkshakes and a lot of desserts and continue waiting.
Forty minutes pass. The dessert sits a bit too heavily in our stomachs. Will she come, this girl we know nothing about? Will she side with us, or will she bring her grandfather with her? We don’t know. The tension rises and Sevda moves to lean against a wall, her palm pressed to it, ready to call a door into the Between.
“She’s not coming.” Valentina is the first to give up. “Let’s leave.”
“She will be here,” Taraana replies. “I know she will.”
“How can you be so sure?” Ligaya asks. She has dressed up entirely in black today, so we have been careful of her. When one of us wears black, it is a signal to the rest of us that our nightmares are running rampant. That our words will be sharp, maybe draw blood, but that we do not intend to hurt. Not really.
“Wouldn’t you want to know what happened to someone you saved?” Taraana answers, and Ligaya turns away without replying.
“Not if it means meeting him would place him in danger,” Paheli replies instead, and gets to her feet. “Let’s go.”
“Giving up on me so soon?” a voice says from the doorway. We all turn. What had been empty space just one second ago is now filled by a tall girl dressed in black jeans and a black vest. We wonder if she, too, is having a bad day. Her hair is pulled back in a French braid, and her lips are as red as ours. Her expression, however, is far more relaxed.