Contents ( 148)
- THE TORRENTS OF SPRING
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- IVAN TURGENEV
- CONSTANCE GARNETT
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- Contents
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- The Torrents of Spring
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- I
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- II
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- III
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- IV
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- V
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- VI
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- VII
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- VIII
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- IX
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- X
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- XI
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- XII
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- XIII
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- XIV
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- XV
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- XVI
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- XVII
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- XVIII
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- XIX
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- XX
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- XXI
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- XXII
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- XXIII
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- XXIV
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- XXV
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- XXVI
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- XXVII
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- XXVIII
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- XXIX
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- XXX
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- XXXI
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- XXXII
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- XXXIII
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- XXXIV
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- XXXV
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- XXXVI
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- XXXVII
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- XXXVIII
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- XXXIX
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- XL
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- XLI
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- XLII
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- XLIII
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- XLIV
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- First Love
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- I
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- II
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- III
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- IV
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- V
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- VI
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- VII
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- VIII
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- IX
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- X
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- XI
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- XII
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- XIII
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- XIV
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- XV
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- XVI
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- XVII
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- XVIII
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- XIX
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- XX
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- XXI
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- XXII
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- Mumu
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- * * *
- Endnotes
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After drinking coffee, the two friends set off together—on foot, of course—to Hausen, a little village lying a short distance from Frankfort, and surrounded by woods. The whole chain of the Taunus mountains could be seen clearly from there. The weather was lovely; the sunshine was bright and warm, but not blazing hot; a fresh wind rustled briskly among the green leaves; the shadows of high, round clouds glided swiftly and smoothly in small patches over the earth. The two young people soon got out of the town, and stepped out boldly and gaily along the well-kept road. They reached the woods, and wandered about there a long time; then they lunched very heartily at a country inn; then climbed on to the mountains, admired the views, rolled stones down and clapped their hands, watching the queer droll way in which the stones hopped along like rabbits, till a man passing below, unseen by them, began abusing them in a loud ringing voice. Then they lay full length on the short dry moss of yellowish-violet colour; then they drank beer at another inn; ran races, and tried for a wager which could jump farthest. They discovered an echo, and began to call to it; sang songs, hallooed, wrestled, broke up dry twigs, decked their hats with fern, and even danced. Tartaglia, as far as he could, shared in all these pastimes; he did not throw stones, it is true, but he rolled head over heels after them; he howled when they were singing, and even drank beer, though with evident aversion; he had been trained in this art by a student to whom he had once belonged. But he was not prompt in obeying Emil—not as he was with his master Pantaleone—and when Emil ordered him to 'speak,' or to 'sneeze,' he only wagged his tail and thrust out his tongue like a pipe.
The young people talked, too. At the beginning of the walk, Sanin, as the elder, and so more reflective, turned the conversation on fate and predestination, and the nature and meaning of man's destiny; but the conversation quickly took a less serious turn. Emil began to question his friend and patron about Russia, how duels were fought there, and whether the women there were beautiful, and whether one could learn Russian quickly, and what he had felt when the officer took aim at him. Sanin, on his side, questioned Emil about his father, his mother, and in general about their family affairs, trying every time not to mention Gemma's name—and thinking only of her. To speak more precisely, it was not of her he was thinking, but of the morrow, the mysterious morrow which was to bring him new, unknown happiness! It was as though a veil, a delicate, bright veil, hung faintly fluttering before his mental vision; and behind this veil he felt ... felt the presence of a youthful, motionless, divine image, with a tender smile on its lips, and eyelids severely—with affected seventy—downcast. And this image was not the face of Gemma, it was the face of happiness itself! For, behold, at last his hour had come, the veil had vanished, the lips were parting, the eyelashes are raised—his divinity has looked upon him—and at once light as from the sun, and joy and bliss unending! He dreamed of this morrow—and his soul thrilled with joy again in the melting torture of ever-growing expectation!