Contents ( 148)
- THE TORRENTS OF SPRING
- * * *
- IVAN TURGENEV
- CONSTANCE GARNETT
- *
- Contents
- *
- The Torrents of Spring
- *
- I
- *
- II
- *
- III
- *
- IV
- *
- V
- *
- VI
- *
- VII
- *
- VIII
- *
- IX
- *
- X
- *
- XI
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- XII
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- XIII
- *
- XIV
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- XV
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- XVI
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- XVII
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- XVIII
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- XIX
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- XX
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- XXI
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- XXII
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- XXIII
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- XXIV
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- XXV
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- XXVI
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- XXVII
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- XXVIII
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- XXIX
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- XXX
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- XXXI
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- XXXII
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- XXXIII
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- XXXIV
- *
- XXXV
- *
- XXXVI
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- XXXVII
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- XXXVIII
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- XXXIX
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- XL
- *
- XLI
- *
- XLII
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- XLIII
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- XLIV
- *
- First Love
- *
- I
- *
- II
- *
- III
- *
- IV
- *
- V
- *
- VI
- *
- VII
- *
- VIII
- *
- IX
- *
- X
- *
- XI
- *
- XII
- *
- XIII
- *
- XIV
- *
- XV
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- XVI
- *
- XVII
- *
- XVIII
- *
- XIX
- *
- XX
- *
- XXI
- *
- XXII
- *
- Mumu
- *
- * * *
- Endnotes
- *
'And what is going on?' I put in, all on the alert.
The doctor looked at me with a sort of ironical compassion.
'Nice of me!' he said as though to himself, 'as if he need know anything of it. In fact, I tell you again,' he added, raising his voice, 'the atmosphere here is not fit for you. You like being here, but what of that! it's nice and sweet-smelling in a greenhouse—but there's no living in it. Yes! do as I tell you, and go back to your Keidanov.'
The old princess came in, and began complaining to the doctor of her toothache. Then Zinaïda appeared.
'Come,' said the old princess, 'you must scold her, doctor. She's drinking iced water all day long; is that good for her, pray, with her delicate chest?'
'Why do you do that?' asked Lushin.
'Why, what effect could it have?'
'What effect? You might get a chill and die.'
'Truly? Do you mean it? Very well—so much the better.'
'A fine idea!' muttered the doctor. The old princess had gone out.
'Yes, a fine idea,' repeated Zinaïda. 'Is life such a festive affair? Just look about you.... Is it nice, eh? Or do you imagine I don't understand it, and don't feel it? It gives me pleasure—drinking iced water; and can you seriously assure me that such a life is worth too much to be risked for an instant's pleasure—happiness I won't even talk about.'
'Oh, very well,' remarked Lushin, 'caprice and irresponsibility.... Those two words sum you up; your whole nature's contained in those two words.'
Zinaïda laughed nervously.
'You're late for the post, my dear doctor. You don't keep a good look-out; you're behind the times. Put on your spectacles. I'm in no capricious humour now. To make fools of you, to make a fool of myself ... much fun there is in that!—and as for irresponsibility ... M'sieu Voldemar,' Zinaïda added suddenly, stamping, 'don't make such a melancholy face. I can't endure people to pity me.' She went quickly out of the room.
'It's bad for you, very bad for you, this atmosphere, young man,' Lushin said to me once more.
XI
*
On the evening of the same day the usual guests were assembled at the Zasyekins'. I was among them.
The conversation turned on Meidanov's poem. Zinaïda expressed genuine admiration of it. 'But do you know what?' she said to him. 'If I were a poet, I would choose quite different subjects. Perhaps it's all nonsense, but strange ideas sometimes come into my head, especially when I'm not asleep in the early morning, when the sky begins to turn rosy and grey both at once. I would, for instance ... You won't laugh at me?'
'No, no!' we all cried, with one voice.
'I would describe,' she went on, folding her arms across her bosom and looking away, 'a whole company of young girls at night in a great boat, on a silent river. The moon is shining, and they are all in white, and wearing garlands of white flowers, and singing, you know, something in the nature of a hymn.'