Contents ( 148)
- THE TORRENTS OF SPRING
- * * *
- IVAN TURGENEV
- CONSTANCE GARNETT
- *
- Contents
- *
- The Torrents of Spring
- *
- I
- *
- II
- *
- III
- *
- IV
- *
- V
- *
- VI
- *
- VII
- *
- VIII
- *
- IX
- *
- X
- *
- XI
- *
- XII
- *
- XIII
- *
- XIV
- *
- XV
- *
- XVI
- *
- XVII
- *
- XVIII
- *
- XIX
- *
- XX
- *
- XXI
- *
- XXII
- *
- XXIII
- *
- XXIV
- *
- XXV
- *
- XXVI
- *
- XXVII
- *
- XXVIII
- *
- XXIX
- *
- XXX
- *
- XXXI
- *
- XXXII
- *
- XXXIII
- *
- XXXIV
- *
- XXXV
- *
- XXXVI
- *
- XXXVII
- *
- XXXVIII
- *
- XXXIX
- *
- XL
- *
- XLI
- *
- XLII
- *
- XLIII
- *
- XLIV
- *
- First Love
- *
- I
- *
- II
- *
- III
- *
- IV
- *
- V
- *
- VI
- *
- VII
- *
- VIII
- *
- IX
- *
- X
- *
- XI
- *
- XII
- *
- XIII
- *
- XIV
- *
- XV
- *
- XVI
- *
- XVII
- *
- XVIII
- *
- XIX
- *
- XX
- *
- XXI
- *
- XXII
- *
- Mumu
- *
- * * *
- Endnotes
- *
'I'm not sleepy,' observed Polozov, getting up ponderously from his easy-chair; 'but as for getting along, I'm ready to get along and to kiss your hand.' She gave him the palm of her hand, still smiling and looking at Sanin.
Polozov, too, looked at him, and went away without taking leave of him.
'Well, tell me, tell me,' said Maria Nikolaevna eagerly, setting both her bare elbows on the table and impatiently tapping the nails of one hand against the nails of the other, 'Is it true, they say, you are going to be married?'
As she said these words, Maria Nikolaevna positively bent her head a little on one side so as to look more intently and piercingly into Sanin's eyes.
XXXV
*
The free and easy deportment of Madame Polozov would probably for the first moment have disconcerted Sanin—though he was not quite a novice and had knocked about the world a little—if he had not again seen in this very freedom and familiarity a good omen for his undertaking. 'We must humour this rich lady's caprices,' he decided inwardly; and as unconstrainedly as she had questioned him he answered, 'Yes; I am going to be married.'
'To whom? To a foreigner?'
'Yes.'
'Did you get acquainted with her lately? In Frankfort?'
'Yes.'
'And what is she? May I know?'
'Certainly. She is a confectioner's daughter.'
Maria Nikolaevna opened her eyes wide and lifted her eyebrows.
'Why, this is delightful,' she commented in a drawling voice; 'this is exquisite! I imagined that young men like you were not to be met with anywhere in these days. A confectioner's daughter!'
'I see that surprises you,' observed Sanin with some dignity; 'but in the first place, I have none of these prejudices ...'
'In the first place, it doesn't surprise me in the least,' Maria Nikolaevna interrupted; 'I have no prejudices either. I'm the daughter of a peasant myself. There! what can you say to that? What does surprise and delight me is to have come across a man who's not afraid to love. You do love her, I suppose?'
'Yes.'
'Is she very pretty?'
Sanin was slightly stung by this last question.... However, there was no drawing back.
'You know, Maria Nikolaevna,' he began, 'every man thinks the face of his beloved better than all others; but my betrothed is really beautiful.'
'Really? In what style? Italian? antique?'
'Yes; she has very regular features.'
'You have not got her portrait with you?'
'No.' (At that time photography was not yet talked off. Daguerrotypes had hardly begun to be common.)
'What's her name?'
'Her name is Gemma.'
'And yours?'
'Dimitri.'
'And your father's?'
'Pavlovitch.'
'Do you know,' Maria Nikolaevna said, still in the same drawling voice, 'I like you very much, Dimitri Pavlovitch. You must be an excellent fellow. Give me your hand. Let us be friends.'
She pressed his hand tightly in her beautiful, white, strong fingers. Her hand was a little smaller than his hand, but much warmer and smoother and whiter and more full of life.