Contents ( 148)
- THE TORRENTS OF SPRING
- * * *
- IVAN TURGENEV
- CONSTANCE GARNETT
- *
- Contents
- *
- The Torrents of Spring
- *
- I
- *
- II
- *
- III
- *
- IV
- *
- V
- *
- VI
- *
- VII
- *
- VIII
- *
- IX
- *
- X
- *
- XI
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- XII
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- XIII
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- XIV
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- XV
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- XVI
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- XVII
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- XVIII
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- XIX
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- XX
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- XXI
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- XXII
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- XXIII
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- XXIV
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- XXV
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- XXVI
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- XXVII
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- XXVIII
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- XXIX
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- XXX
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- XXXI
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- XXXII
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- XXXIII
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- XXXIV
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- XXXV
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- XXXVI
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- XXXVII
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- XXXVIII
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- XXXIX
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- XL
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- XLI
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- XLII
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- XLIII
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- XLIV
- *
- First Love
- *
- I
- *
- II
- *
- III
- *
- IV
- *
- V
- *
- VI
- *
- VII
- *
- VIII
- *
- IX
- *
- X
- *
- XI
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- XII
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- XIII
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- XIV
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- XV
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- XVI
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- XVII
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- XVIII
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- XIX
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- XX
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- XXI
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- XXII
- *
- Mumu
- *
- * * *
- Endnotes
- *
*
Four hours later, Maria Nikolaevna and Sanin, accompanied by the groom, who was nodding in the saddle, returned to Wiesbaden, to the hotel. Polozov met his wife with the letter to the overseer in his hand. After staring rather intently at her, he showed signs of some displeasure on his face, and even muttered, 'You don't mean to say you've won your bet?'
Maria Nikolaevna simply shrugged her shoulders.
*
The same day, two hours later, Sanin was standing in his own room before her, like one distraught, ruined....
'Where are you going, dear?' she asked him. 'To Paris, or to Frankfort?'
'I am going where you will be, and will be with you till you drive me away,' he answered with despair and pressed close to him the hands of his sovereign. She freed her hands, laid them on his head, and clutched at his hair with her fingers. She slowly turned over and twisted the unresisting hair, drew herself up, her lips curled with triumph, while her eyes, wide and clear, almost white, expressed nothing but the ruthlessness and glutted joy of conquest. The hawk, as it clutches a captured bird, has eyes like that.
XLIII
*
This was what Dimitri Sanin remembered when in the stillness of his room turning over his old papers he found among them a garnet cross. The events we have described rose clearly and consecutively before his mental vision.... But when he reached the moment when he addressed that humiliating prayer to Madame Polozov, when he grovelled at her feet, when his slavery began, he averted his gaze from the images he had evoked, he tried to recall no more. And not that his memory failed him, oh no! he knew only too well what followed upon that moment, but he was stifled by shame, even now, so many years after; he dreaded that feeling of self-contempt, which he knew for certain would overwhelm him, and like a torrent, flood all other feelings if he did not bid his memory be still. But try as he would to turn away from these memories, he could not stifle them entirely. He remembered the scoundrelly, tearful, lying, pitiful letter he had sent to Gemma, that never received an answer.... See her again, go back to her, after such falsehood, such treachery, no! no! he could not, so much conscience and honesty was left in him. Moreover, he had lost every trace of confidence in himself, every atom of self-respect; he dared not rely on himself for anything. Sanin recollected too how he had later on—oh, ignominy!—sent the Polozovs' footman to Frankfort for his things, what cowardly terror he had felt, how he had had one thought only, to get away as soon as might be to Paris—to Paris; how in obedience to Maria Nikolaevna, he had humoured and tried to please Ippolit Sidoritch and been amiable to Dönhof, on whose finger he noticed just such an iron ring as Maria Nikolaevna had given him!!! Then followed memories still worse, more ignominious ... the waiter hands him a visiting card, and on it is the name, 'Pantaleone Cippatola, court singer to His Highness the Duke of Modena!' He hides from the old man, but cannot escape meeting him in the corridor, and a face of exasperation rises before him under an upstanding topknot of grey hair; the old eyes blaze like red-hot coals, and he hears menacing cries and curses: 'Maledizione!' hears even the terrible words: 'Codardo! Infame traditore!' Sanin closes his eyes, shakes his head, turns away again and again, but still he sees himself sitting in a travelling carriage on the narrow front seat ... In the comfortable places facing the horses sit Maria Nikolaevna and Ippolit Sidoritch, the four horses trotting all together fly along the paved roads of Wiesbaden to Paris! to Paris! Ippolit Sidoritch is eating a pear which Sanin has peeled for him, while Maria Nikolaevna watches him and smiles at him, her bondslave, that smile he knows already, the smile of the proprietor, the slave-owner.... But, good God, out there at the corner of the street not far from the city walls, wasn't it Pantaleone again, and who with him? Can it be Emilio? Yes, it was he, the enthusiastic devoted boy! Not long since his young face had been full of reverence before his hero, his ideal, but now his pale handsome face, so handsome that Maria Nikolaevna noticed him and poked her head out of the carriage window, that noble face is glowing with anger and contempt; his eyes, so like her eyes! are fastened upon Sanin, and the tightly compressed lips part to revile him....