Contents ( 148)
- THE TORRENTS OF SPRING
- * * *
- IVAN TURGENEV
- CONSTANCE GARNETT
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- Contents
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- The Torrents of Spring
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- I
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- II
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- III
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- IV
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- V
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- VI
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- VII
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- VIII
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- IX
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- X
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- XI
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- XII
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- XIII
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- XIV
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- XV
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- XVI
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- XVII
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- XVIII
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- XIX
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- XX
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- XXI
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- XXII
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- XXIII
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- XXIV
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- XXV
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- XXVI
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- XXVII
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- XXVIII
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- XXIX
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- XXX
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- XXXI
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- XXXII
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- XXXIII
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- XXXIV
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- XXXV
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- XXXVI
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- XXXVII
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- XXXVIII
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- XXXIX
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- XL
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- XLI
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- XLII
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- XLIII
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- XLIV
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- First Love
- *
- I
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- II
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- III
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- IV
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- V
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- VI
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- VII
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- VIII
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- IX
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- X
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- XI
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- XII
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- XIII
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- XIV
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- XV
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- XVI
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- XVII
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- XVIII
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- XIX
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- XX
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- XXI
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- XXII
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- Mumu
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- * * *
- Endnotes
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Sanin's eloquence was not thrown away. Frau Lenore began to glance at him, though still with bitterness and reproach, no longer with the same aversion and fury; then she suffered him to come near her, and even to sit down beside her (Gemma was sitting on the other side); then she fell to reproaching him,—not in looks only, but in words, which already indicated a certain softening of heart; she fell to complaining, and her complaints became quieter and gentler; they were interspersed with questions addressed at one time to her daughter, and at another to Sanin; then she suffered him to take her hand and did not at once pull it away ... then she wept again, but her tears were now quite of another kind.... Then she smiled mournfully, and lamented the absence of Giovanni Battista, but quite on different grounds from before.... An instant more and the two criminals, Sanin and Gemma, were on their knees at her feet, and she was laying her hands on their heads in turn; another instant and they were embracing and kissing her, and Emil, his face beaming rapturously, ran into the room and added himself to the group so warmly united.
Pantaleone peeped into the room, smiled and frowned at the same time, and going into the shop, opened the front door.
XXX
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The transition from despair to sadness, and from that to 'gentle resignation,' was accomplished fairly quickly in Frau Lenore; but that gentle resignation, too, was not slow in changing into a secret satisfaction, which was, however, concealed in every way and suppressed for the sake of appearances. Sanin had won Frau Lenore's heart from the first day of their acquaintance; as she got used to the idea of his being her son-in-law, she found nothing particularly distasteful in it, though she thought it her duty to preserve a somewhat hurt, or rather careworn, expression on her face. Besides, everything that had happened the last few days had been so extraordinary.... One thing upon the top of another. As a practical woman and a mother, Frau Lenore considered it her duty also to put Sanin through various questions; and Sanin, who, on setting out that morning to meet Gemma, had not a notion that he should marry her—it is true he did not think of anything at all at that time, but simply gave himself up to the current of his passion—Sanin entered, with perfect readiness, one might even say with zeal, into his part—the part of the betrothed lover, and answered all her inquiries circumstantially, exactly, with alacrity. When she had satisfied herself that he was a real nobleman by birth, and had even expressed some surprise that he was not a prince, Frau Lenore assumed a serious air and 'warned him betimes' that she should be quite unceremoniously frank with him, as she was forced to be so by her sacred duty as a mother! To which Sanin replied that he expected nothing else from her, and that he earnestly begged her not to spare him!