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Contents ( 148)
  1. THE TORRENTS OF SPRING
  2. * * *
  3. IVAN TURGENEV
  4. CONSTANCE GARNETT
  5. *
  6. Contents
  7. *
  8. The Torrents of Spring
  9. *
  10. I
  11. *
  12. II
  13. *
  14. III
  15. *
  16. IV
  17. *
  18. V
  19. *
  20. VI
  21. *
  22. VII
  23. *
  24. VIII
  25. *
  26. IX
  27. *
  28. X
  29. *
  30. XI
  31. *
  32. XII
  33. *
  34. XIII
  35. *
  36. XIV
  37. *
  38. XV
  39. *
  40. XVI
  41. *
  42. XVII
  43. *
  44. XVIII
  45. *
  46. XIX
  47. *
  48. XX
  49. *
  50. XXI
  51. *
  52. XXII
  53. *
  54. XXIII
  55. *
  56. XXIV
  57. *
  58. XXV
  59. *
  60. XXVI
  61. *
  62. XXVII
  63. *
  64. XXVIII
  65. *
  66. XXIX
  67. *
  68. XXX
  69. *
  70. XXXI
  71. *
  72. XXXII
  73. *
  74. XXXIII
  75. *
  76. XXXIV
  77. *
  78. XXXV
  79. *
  80. XXXVI
  81. *
  82. XXXVII
  83. *
  84. XXXVIII
  85. *
  86. XXXIX
  87. *
  88. XL
  89. *
  90. XLI
  91. *
  92. XLII
  93. *
  94. XLIII
  95. *
  96. XLIV
  97. *
  98. First Love
  99. *
  100. I
  101. *
  102. II
  103. *
  104. III
  105. *
  106. IV
  107. *
  108. V
  109. *
  110. VI
  111. *
  112. VII
  113. *
  114. VIII
  115. *
  116. IX
  117. *
  118. X
  119. *
  120. XI
  121. *
  122. XII
  123. *
  124. XIII
  125. *
  126. XIV
  127. *
  128. XV
  129. *
  130. XVI
  131. *
  132. XVII
  133. *
  134. XVIII
  135. *
  136. XIX
  137. *
  138. XX
  139. *
  140. XXI
  141. *
  142. XXII
  143. *
  144. Mumu
  145. *
  146. * * *
  147. Endnotes
  148. *

'Why, who is she, permit me to inquire?'

'Tatiana.'

'Tatiana?'

And Kapiton opened his eyes, and moved a little away from the wall.

'Well, what are you in such a taking for?... Isn't she to your taste, hey?'

'Not to my taste, do you say, Gavrila Andreitch! She's right enough, a hard-working steady girl.... But you know very well yourself, Gavrila Andreitch, why that fellow, that wild man of the woods, that monster of the steppes, he's after her, you know....'

'I know, mate, I know all about it,' the butler cut him short in a tone of annoyance: 'but there, you see....'

'But upon my soul, Gavrila Andreitch! why, he'll kill me, by God, he will, he'll crush me like some fly; why, he's got a fist—why, you kindly look yourself what a fist he's got; why, he's simply got a fist like Minin Pozharsky's. You see he's deaf, he beats and does not hear how he's beating! He swings his great fists, as if he's asleep. And there's no possibility of pacifying him; and for why? Why, because, as you know yourself, Gavrila Andreitch, he's deaf, and what's more, has no more wit than the heel of my foot. Why, he's a sort of beast, a heathen idol, Gavrila Andreitch, and worse ... a block of wood; what have I done that I should have to suffer from him now? Sure it is, it's all over with me now; I've knocked about, I've had enough to put up with, I've been battered like an earthenware pot, but still I'm a man, after all, and not a worthless pot.'

'I know, I know, don't go talking away....'

'Lord, my God!' the shoemaker continued warmly, 'when is the end? when, O Lord! A poor wretch I am, a poor wretch whose sufferings are endless! What a life, what a life mine's been, come to think of it! In my young days, I was beaten by a German I was 'prentice to; in the prime of life beaten by my own countrymen, and last of all, in ripe years, see what I have been brought to....'

'Ugh, you flabby soul!' said Gavrila Andreitch. 'Why do you make so many words about it?'

'Why, do you say, Gavrila Andreitch? It's not a beating I'm afraid of, Gavrila Andreitch. A gentleman may chastise me in private, but give me a civil word before folks, and I'm a man still; but see now, whom I've to do with....'

'Come, get along,' Gavrila interposed impatiently. Kapiton turned away and staggered off.

'But, if it were not for him,' the steward shouted after him, 'you would consent for your part?'

'I signify my acquiescence,' retorted Kapiton as he disappeared.

His fine language did not desert him, even in the most trying positions.

The steward walked several times up and down the room.

'Well, call Tatiana now,' he said at last.

A few instants later, Tatiana had come up almost noiselessly, and was standing in the doorway.