Contents ( 148)
- THE TORRENTS OF SPRING
- * * *
- IVAN TURGENEV
- CONSTANCE GARNETT
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- Contents
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- The Torrents of Spring
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- I
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- II
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- III
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- IV
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- V
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- VI
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- VII
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- VIII
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- IX
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- X
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- XI
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- XII
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- XIII
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- XIV
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- XV
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- XVI
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- XVII
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- XVIII
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- XIX
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- XX
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- XXI
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- XXII
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- XXIII
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- XXIV
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- XXV
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- XXVI
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- XXVII
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- XXVIII
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- XXIX
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- XXX
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- XXXI
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- XXXII
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- XXXIII
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- XXXIV
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- XXXV
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- XXXVI
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- XXXVII
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- XXXVIII
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- XXXIX
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- XL
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- XLI
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- XLII
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- XLIII
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- XLIV
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- First Love
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- I
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- II
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- III
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- IV
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- V
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- VI
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- VII
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- VIII
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- IX
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- X
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- XI
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- XII
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- XIII
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- XIV
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- XV
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- XVI
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- XVII
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- XVIII
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- XIX
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- XX
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- XXI
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- XXII
- *
- Mumu
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- * * *
- Endnotes
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It was very hot out-of-doors; after lunch Sanin was about to take leave, but they told him that on such a day the best thing was to stay where one was, and he agreed; he stayed. In the back room where he was sitting with the ladies of the household, coolness reigned supreme; the windows looked out upon a little garden overgrown with acacias. Multitudes of bees, wasps, and humming beetles kept up a steady, eager buzz in their thick branches, which were studded with golden blossoms; through the half-drawn curtains and the lowered blinds this never-ceasing hum made its way into the room, telling of the sultry heat in the air outside, and making the cool of the closed and snug abode seem the sweeter.
Sanin talked a great deal, as on the day before, but not of Russia, nor of Russian life. Being anxious to please his young friend, who had been sent off to Herr Klüber's immediately after lunch, to acquire a knowledge of book-keeping, he turned the conversation on the comparative advantages and disadvantages of art and commerce. He was not surprised at Frau Lenore's standing up for commerce—he had expected that; but Gemma too shared her opinion.
'If one's an artist, and especially a singer,' she declared with a vigorous downward sweep of her hand, 'one's got to be first-rate! Second-rate's worse than nothing; and who can tell if one will arrive at being first-rate?' Pantaleone, who took part too in the conversation—(as an old servant and an old man he had the privilege of sitting down in the presence of the ladies of the house; Italians are not, as a rule, strict in matters of etiquette)—Pantaleone, as a matter of course, stood like a rock for art. To tell the truth, his arguments were somewhat feeble; he kept expatiating for the most part on the necessity, before all things, of possessing 'un certo estro d'inspirazione'—a certain force of inspiration! Frau Lenore remarked to him that he had, to be sure, possessed such an 'estro'—and yet ... 'I had enemies,' Pantaleone observed gloomily. 'And how do you know that Emil will not have enemies, even if this "estro" is found in him?' 'Very well, make a tradesman of him, then,' retorted Pantaleone in vexation; 'but Giovan' Battista would never have done it, though he was a confectioner himself!' 'Giovan' Battista, my husband, was a reasonable man, and even though he was in his youth led away ...' But the old man would hear nothing more, and walked away, repeating reproachfully, 'Ah! Giovan' Battista!...' Gemma exclaimed that if Emil felt like a patriot, and wanted to devote all his powers to the liberation of Italy, then, of course, for such a high and holy cause he might sacrifice the security of the future—but not for the theatre! Thereupon Frau Lenore became much agitated, and began to implore her daughter to refrain at least from turning her brother's head, and to content herself with being such a desperate republican herself! Frau Lenore groaned as she uttered these words, and began complaining of her head, which was 'ready to split.' (Frau Lenore, in deference to their guest, talked to her daughter in French.)